New Books in Religion

Derek Krueger Monastic Desires: Homoeroticism, Homophobia, and Love of God in Medieval Constantinople (Cambridge UP, 2026)

The Byzantine Abbot Symeon the New Theologian (949–1022) transgressed the homophobic norms of medieval Orthodox society. His longing for God was distinctly homoerotic, and he depicted union with the divine as a queer sort of marriage. His Orthodox theology of theosis, the deification of the entire person, meant that Symeon taught the salvation of all the parts of the body. But monks also desired the eradication of lust and the punishment of those who fell prey to it. Sermons and biblical commentary defined men who had sex with men as sodomites; and saints' lives warned of the consequences of same-sex desires. Those who renounced sex redirected their desire rather than eliminating it. Symeon's queer erotics shed light on other devotions distinctive to medieval Orthodoxy, including the veneration of saints and worship with icons. Monastic Desires makes a groundbreaking contribution to the history of sexuality and the history of Christianity.

New Books in Late Antiquity is presented by Ancient Jew Review

Derek Krueger is emeritus professor of religious studies at UNC Greensboro, the author of multiple books including Liturgical Subjects: Biblical Narratives and the Formation of the Self in Byzantium, the editor of far more, and former editor of the book series Divinations: Rereading Late Antiquity.

Michael Motia teaches Classics and Religious Studies at UMass Boston
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What does it mean to tell the Passover story as a truly diverse people? In this episode, Rabbi Marc Katz sits down with editor Rabbi Sarah Berman to discuss Haggadah Shel Erev Rav: The Mixed Multitude Haggadah (CCAR Press, 2026), a bold and beautiful reimagining of the Passover seder.

Inspired by the biblical image of the erev rav—the “mixed multitude” that left Egypt together—this Haggadah celebrates the many voices that make up the Jewish people. It invites readers to rediscover the Exodus story through four distinctive pathways: the voices of children, the experiences of women, the moral urgency of social justice, and the presence of God in the work of liberation.

With an inclusive and accessible translation, thoughtful commentary, and vivid original artwork by Indian Jewish artist Siona Benjamin, Haggadah Shel Erev Rav blends deep tradition with contemporary insight. Created in celebration of Rabbi Angela W. Buchdahl’s twentieth anniversary at Central Synagogue, the book offers a fresh lens on one of Judaism’s most beloved rituals—helping families and communities transform the seder into a space of reflection, connection, and renewal.

Together, Berman and Katz explore how the Passover story continues to evolve, what it means to honor many voices at the table, and how the ancient narrative of liberation can speak powerfully to modern Jewish life.

About the Guest

Rabbi Sarah Berman is the Director of Jewish Culture and Programming at Central synagogue. She is the editor of Haggadah Shel Erev Rav: The Mixed Multitude Haggadah.

About the Host

Marc Katz is the Senior rabbi of Temple Ner Tamid and the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.
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Today’s guest, John Kuhn, is the author of Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England (U Pennsylvania Press, 2024). Making Pagans argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era.Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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From its birth in seventh-century Arabia, Islam has been a faith on the move. In Worlds of Islam: A Global History (Basic Books, 2026), James McDougall explores its origins and transformations from Late Antiquity to the digital age.

Over the span of a thousand years, armies, missionaries, and merchants carried it to the edges of Europe, the coasts of Southeast Asia, and the remote interior of China. By the nineteenth century, Islam encompassed a world of great diversity, from Muslim-ruled empires to nations where Muslims lived out their faith among many others. In the twentieth century, while monarchs in the Gulf asserted dynastic privilege and fundamentalists in Egypt and Pakistan preached social morality, revolutionaries from Algeria to Indonesia fought for national self-determination, and activists in North America and Europe campaigned for civil liberties and social justice.

As empires fell and new superpowers rose, Muslims proved to be as adaptable and dynamic as modernity itself. Sweeping and authoritative, Worlds of Islam narrates the epic story of how Muslims emerged as a community, built empires, traversed the globe, came to number in the billions, and became modern.

James McDougall is a Professor of Modern and Contemporary History and a Fellow of Trinity College, University of Oxford. He previously taught at Princeton and at SOAS, London.
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How do people justify what others see as transgression? Taking that question to the Persian-Muslim and Latin-Christian worlds over the period 1200 to 1700, Justifying Transgression: Muslims, Christians, and the Law - 1200 to 1700(de Gruyter, 2023) shows that people in both these worlds invested considerable energy in worrying, debating, and writing about proscribed practices. It compares how people in the two worlds came to terms with the proscriptions of sodomy, idolatry, and usury. When historians speak of the gap between premodern practice and the legal theory of the time, they tend to ignore the myriad of justifications that filled this gap. Moreover, a focus on justification evens out many of the contrasts that have been alleged to exist between the two worlds, or the Muslim and Christian worlds more generally. The similarities outweigh the differences in the ways people came to terms with the various rules of divine law. The level of flexibility of the theologians and jurists in charge of divine law varied more over time and by topic than between the two worlds. Both worlds also saw the development of ever more sophisticated justifications. Amid the increasing complexity of justifications, a particular kind of reasoning emerged: that good outcomes are more important than upholding rules for their own sake.
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