New Books in Anthropology

As part and parcel of China’s compressed modernization, processes of
state-led rural urbanization through land expropriation and
rural-to-urban relocation have been transforming rural Chinese people’s
lives in unprecedented ways. This has led to different, often adverse
outcomes for the affected populations – China’s “landless peasants” - as
well as to the construction of divergent narratives about the role of
the Chinese state’s measures for them. To provide a so-far missing
perspective to existing research, Isabel Heger-Laube reconstructs the
role of the experienced changes from landless peasants’ own narratives,
drawing on the “big” and “small” stories collected through fieldwork in
Huaming model town in Tianjin’s Dongli district. By focusing on ordinary
people’s subjective processes of meaning making, this book not only
puts into perspective objective assessments and persistent narrative
tendencies, but also sheds new light on the puzzle of social stability
in the wake of large-scale, state-led transformations in contemporary
China.

China’s Landless Peasants and the Role of State-led Rural Urbanization: Narratives, Meaning Making, and the Puzzle of Social Stability was published open access with Würzburg University Press in 2025. Free e-book version.

Dr. Isabel Heger-Laube (isabelheger@gmail.com)
is a sinologist and social scientist with an interdisciplinary footing
in social anthropology, sociology, and psychology. She earned her PhD in
Chinese Studies from Freie Universität Berlin in 2024 and currently
works as a scientific associate at the School of Social Work, University
of Applied Sciences and Arts Northwestern Switzerland (FHNW). Alongside
her work, she is pursuing a degree in psychosocial counseling. Her
research interests include urbanization and social change, higher and
adult education, aging and care, as well as narrative meaning making and
identity formation. ORCiD.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of
Socio-cultural Anthropology at Tulane University. More details about his
scholarship and research interests can be found here.
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In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy.

The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks’s interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time.

A substantial part of the interview focuses on Banks’s film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks’s work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally.

David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research.

Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry.

Further reading and resources mentioned in the recording

Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks’s writings on Jain social organization and visual representation.

The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley’s Silent Time Machine project.

Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks’s later reflections on visual anthropology and ethnographic filmmaking.

Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999).
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The
early twenty-first century ushered in a period of change in Bolivia.
The country welcomed its first Indigenous president, a new constitution,
and a profusion of laws that recognized individual music and dance
expressions as intangible cultural heritage. Using cultural heritage
lawmaking as a window through which to view the de-centered workings of the Indigenous-focused Plurinational Bolivian State, Heritage Fever: Law and Cultural Politics in a Decolonizing State
(Oxford University Press, 2025) by Dr. Michelle Bigenho and Dr. Henry
Stobart unpacks the myriad motivations for heritage making in this this
politically transformative moment. Heritage Fever reorients
UNESCO-driven heritage debates towards a different set of questions—a pivot the authors call “heritage otherwise.”

These
inquiries focus on how citizens use law to frame expressive culture and
engage their new state. Through grounded case studies, Bigenho and
Stobart reveal how competing claims over cultural expressions stimulate
aficionado research and produce an abundance of cultural activities.
Managing these productive conflicts often involves strategic uses of
scale within the country's new political autonomies, even as old-style
nationalisms lurk beneath a plurinational sheen. One case study highlights
imagined Indigenous autonomy as bolstered by decolonizing
historiography that predates the Plurinational State by several decades.

Privileging
the stories told by those who championed or who were bureaucratically
involved in the respective heritage-making campaigns, Heritage Fever's
research draws from the authors' combined fieldwork in Bolivia over the
last 30 years, recent multi-sited fieldwork conducted as a team, and
ethnographic interviews conducted with Bolivians involved in
heritage-making projects. Contributing to legal anthropology, critical
heritage studies, ethnomusicology, and anthropology of the state, Heritage Fever
looks beyond intellectual property frames, opens new perspectives on
archival thinking, reflects on decolonizing practices in expertise and
knowledge production, and uncovers the agency of mid-level citizens in a
decolonizing state.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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Life in Spite of Everything: Tales from the Ukrainian East (Daunt Books Publishing, 2025) is
a unique reflection on the much-mythologised Donetsk and Luhansk
regions of the Ukrainian east, the old and recent history of the region
as seen by an esteemed academic multi-disciplinary scholar Victoria
Donovan in her numerous travels to the region prior to the full-scale
invasion. Seen through a deeply empathetic lens of conversations with
local curators, historians, museum workers, and artists, the region is
shown in its complexity, with the uniqueness of its landscapes,
endangered biodiversity, entangled colonialisms of its past and a
threatened future.

Since start of Russia’s war against Ukraine in
2014, its eastern region—Donbas—has been synonymous with conflict. With
the escalation of that war in 2022, its, cities such as Bakhmut and
Lysychansk have become familiar to us through the images and reports of
brutal devastation. Victoria Donovan excavates a rich, multicultural
history of this area, and paints a radically different picture.

Travelling
from the dramatic, jagged peaks of Bilokuzmynivka to the marshland of
Mariupol, from a warehouse rave to an abandoned gypsum mine, the
physical world and its importance to this region’s identity is brought
to vivid life. But above all else, by speaking to those whose lives are
embedded there now—curators, artists, railway workers, young people who
have grown up amidst instability and destruction—Donovan amplifies local
voices and reveals the intensely personal lived reality of Putin’s war.

Victoria
Donovan is Professor of Ukrainian and East European Studies and
Director of the Centre for Global (Post)socialisms, Southeast, Central
and East European Studies at the University of St Andrews.

Viktoriia
Grivina is an independent anthropologist and writer, author of Kharkiv,
a War City (Ibidem, 2025), and Kharkiv is a Dream: Public Art and
Activism, 2013–2023 (Ibidem, 2025).
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The rise of “heritage” foods—that is, the reinvention of traditional
foods—has enjoyed a high profile thanks to the oft-praised efforts of
chefs such as Sean Brock and René Redzepi. But Lily Kelting observes the
popularity of heritage foods as something more: a global movement in
response to climate catastrophe and the rise of right-wing, populist
movements that center a return to the past as part of their ideology.
Weaving ethnography, discourse analysis, critical theory, and sensory,
embodied critique, Kelting tracks and critiques the boom of traditional
food revival movements in the American South, Denmark, and India.
Ultimately, Kelting argues that the heritage culinary professionals wish
to revive is equal parts nostalgia and invention: They engage, subvert,
and ignore food histories in their creation of new food movements. As
Kelting documents our contemporary moment, she shows how the
conversations surrounding these new food movements leave out people
already keeping their traditions alive. Against Heritage: The Reinvention of Traditional Foods (University of North Carolina Press, 2026),
then, serves as a reparative revaluation of the work of the cooks
largely excluded from the contemporary media conversation about heritage
revival.
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