COUNTRY-Country Music

Recorded back in April, an in depth discussion of the emergence of Neo-Neo Traditional Country sound, a term we may have unknowingly coined on this podcast in October of 2022. Since then we have seen it pop up a few times online and thought we should discuss exactly what we mean by Neo-Neo Traditional Country Music, where it came from, and some of the artists that encapsulate the sound.

Start of an ongoing series of 'Artist Spotlight' mini episodes where we each discuss an artist we're listening to at the moment. Might be a new artist, might be someone we just saw live. This week we start with The Chattahoochies and Emily Zeck, a bunch of brand new honky-tonkin' gals we're digging quite a bit.

Pop stars are crossing over to make country records, Yellowstone was the biggest show on TV, supermodels are crossing over to rodeo competition, and fashion trends are saturated with country and western music and style…is country cool again? And what are the upsides and downsides of this?

Simpsons references abound with Düff beer from Sweeden and a spontaneous a capella rendition of Cletus The Slack-Jawed Yokel adjusted for Morgan Wallen. A high water mark if we do say so ourselves.

Our thoughts on Cowboy Carter as a country record after its release last week. This follows our Part 1 discussion on Beyoncé's foray into Country Music which focused on her past controversy with country music, the genre's black history, and initial impressions whether it is country music from the first two tracks. Part 2 was recorded Monday April 1st, 4 days after the full Cowboy Carter release and prior to all the credits being released on Friday April 5th.

Part 1 of 2 part discussion ahead of "Act II: Cowboy Carter" release. The biggest question everyone has been asking about Beyoncé’s latest music has been: "Is it Country?" Beyoncé has said herself “This ain’t a Country album. This is a ‘Beyoncé’ album.” Yet everything about it from the horses, hats, boots, and initial tracks, are signalling full-out country record. There’s a complicated history with Beyoncé and the country music establishment and an even more complicated hidden history of black artists and innovators in country music. We discuss her initial Country Carter tracks as well as 2016’s Daddy Lessons in the context of country music, but also her broader mission of reclaiming black contributions to country music. A Part 2 follow up episode with a discussion of whole record will follow!