Classic Rock And Prog Almanac

This week, Tim and Peter gave their rankings of Bob Dylan’s 9 albums from the 1960s. Topics covered include: Dylan’s chaotic approach to recording, the change in Dylan’s voice over the years, Dylan’s sense of humour, how to identify the different phases of Dylan’s 1960s career, and the relationship between Dylan and The Beatles. Also, what does the word ‘existential’ mean? Does Woolworth’s still exist? Does Peter choose his shoes for musical reasons? What’s a surface of inscription when it’s at home? Has there ever been a technically worse duet than Bob Dylan singing with Johnny Cash? What’s ‘the Dylan paradox’? And of course, how many ears must one man have?

This week, Tim and Shaun discussed Paul McCartney’s second post-Beatles album, Ram. Topics covered include: the difference between his second album and his first, the idea of Paul retaining The Beatles as musical interlocutors, whether this is Paul’s best album, and whether there’s a proto-glam element in some of the songs. Also, what was number one during Shaun’s birth? What did Paul and Linda use for glue? Who is the better singer: Linda or Yoko? Which song on the album is most like a Samuel Beckett play? What’s the most Ringoesque drum passage on the album and why? How can you explain The Wombles? And our perennial question: to what extent can this be considered a concept album?

This week, Tim discussed a personal favourite: the debut double album by Manassas, called Manassas (featuring Stephen Stills). Topics covered include: the history of break-up albums, the Stills-Hillman nexus, the medleyish nature of the record, the Caribbean influence on the music, the music's economic nature, and the question of albums as therapy. Also, what on earth are the five stages of grief? Why was Stephen Stills so unlucky in love? Why didn’t George Harrison and Eric Clapton have an affair? Should the album have been called Suite: Rita Brown Eyes? How good is Stephen Stills at Spanish? And we may finally reveal who Carly Simon’s ‘You’re So Vain’ was written about. Or not.

This week, Tim, Peter and Shaun discussed their top five favourite double albums of all time. Topics covered include: why there aren’t more great double albums, the importance of packaging on double LPs, the fact that CDs killed the phenomenon of the double album, whether good double albums require a large surplus of material to be available, and which doubles received the greatest public acceptance. Also, what double album would have made a very bad film? What’s the name of the guitarist from U2? Who has the best voice in rock? What line from Hey Jude did Paul McCartney want to change, until John Lennon intervened? Are rock bands, in fact, idiots? And crucially, is Shaun’s handyman at work a neo-fascist?

This week, Tim analysed the second album by 10cc, Sheet Music. Topics covered include: whether the band has trademarks or not, the influence of Caribbean music on the band, the use of satire in the album, the different writing combinations within the group, the complexity of their harmonic and melodic writing and where this album stands in their canon. Also, are 10cc as funny as The Bonzo Dog Band? Which is the most Shakespearean track on the album? Is it a good idea to anthropomorphise a plane? Are there any pop albums that contain more songs about the oil crisis than this one? Can Tim make his way through the album’s complicated chord sequences without embarrassing himself? And who is that at the door?