BD101 Classic Interview: Ray Marchica
This one originally dropped in September 2021 in two parts—but if you missed it back then, don’t worry. I’m bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He’s done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O’Donnell Show to Mamma Mia!—Ray’s been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he’s stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you’ll dig this.Hit play. Subscribe if you haven’t. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we’ve created for musicians looking to bridge the gap between the classroom and the Broadway pit:* 🎭 Beyond the Gigs: Why Musicians Must Face Real-Life ResponsibilitiesUnderstanding health plans is just as important as perfecting your art.* 🥁 Why You're Not Getting Sub Gigs (And How to Fix It Now)The top reasons subs lose gigs—and how to avoid them for good.These articles are part of our Beyond Music School series, which gives you the real-world advice no one else teaches—gear tips, networking strategies, audition etiquette, and more.🔗 Subscribe & Support📥 Join the Broadway Drumming 101 Substack for free or become a paid subscriber:📺 Subscribe to our YouTube Channel:https://www.youtube.com/@BroadwayDrumming101🌐 Visit the official website for merch, podcast archives, and resources:https://www.BroadwayDrumming101.com👕 Grab official Broadway Drumming 101 gear here:https://broadwaydrumming101.myshopify.comThanks for watching—and for being part of the Broadway Drumming 101 community.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton’s Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson’s Bar and Grill, Ain’t Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and . As a skilled sub, he’s contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe