All About Art

ALL ABOUT ART TURNED 5 in April !!! On April 2nd, 2021, deep in Covid lockdowns, I decided to launch the pod. Now, in 2026, here we are - with a global audience spanning over 115 countries, thousands of downloads and monthly listeners, collaborations with institutions and amazing cultural professionals, and… A BOOK DEAL.

I started this podcast because I had no idea what working in the art world actually looked like. My university wasn’t telling me, career services wasn’t telling me, books weren’t telling me, so I started asking people directly and wanted to record it all.

To commemorate 5 years of All About Art AND the launch of my book Working in Art: How to build a career in the art world all within the span of a week, in this special episode, I share five lessons drawn from over 130 conversations with museum directors, curators, gallerists, art handlers, auction house specialists, and more.

There’s also a lot I wish someone had just told me a decade ago when I was starting out in the arts, which is, honestly, the reason the book exists. Working in Art is the first book written specifically for people who want to work in the art world but aren’t making art themselves. No equivalent existed when I was starting out, and it should have…. so now, it does 😉

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If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker

and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

What Is an Art Foundation, Actually?
The word “foundation” appears quite frequently in the art world, but I feel like most people, including those already working in the sector, would perhaps struggle to define what one actually is. This episode attempted to tackle that definition, and it may have clarified some things, but I also think it made things more confusing. 🤪

Inspired by my recent interview with Elisa Nuyten of the Vega Foundation (scroll further down for that episode😇), I got curious about the structural side of things. I cover:
What foundations do

How they’re funded

Who works in them

And where they sit in the broader art ecosystem.

I found it interesting to also trace the history of art foundations from Renaissance patronage through to the Guggenheim, the Warhol Foundation, Dia Art Foundation, and Prada Foundation, for example. I look at why foundations get established in the first place (legacy, tax structures, private wealth, artistic mission) and what makes them different from museums, galleries, and artist-run spaces.

A final note to this, and why I was motivated to look into it more: because public arts funding has been cut repeatedly in the UK (and elsewhere), foundations are increasingly filling gaps that governments no longer fill.

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If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker
and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

From Collector to Founder: Elisa Nuyten on Building The Vega Foundation

In this episode, I sat down with Elisa Nuyten, founder of The Vega Foundation, a Toronto-based organization dedicated to artists' film and video.

I speak to Elisa about what her foundation does - supporting a medium that many of us love but that often exists in the margins of the art world.

We talk about her journey from collector to foundation founder, including the practical realities of launching a foundation - the building blocks, the governance structures, and why she chose Toronto and Canada as home base.

I ask her about specific works from her collection that have shaped how she approaches the arts today, and why she felt compelled to focus specifically on moving image practices despite - or perhaps because of - the challenges this medium presents for collecting and display.

We talk about how the Vega Foundation has evolved over its first three years, the psychology of supporting experimental work, the unseen infrastructure that makes artists' film and video possible, and so much more.

Thank you Elisa for coming on the podcast!

You can follow The Vega Foundation on Instagram here: https://www.instagram.com/thevegafoundation/

You can check out The Vega Foundation's website here: https://www.thevegafoundation.com/

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If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker
and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

This week’s episode of All About Art talks about money 💶💰💸👛💷✨👩‍💻.

The art world - well, in every profession I think, not just in our bubble - only speaks about it in whispers or over a few glasses of wine (if at all) but the silence around salaries and financial sustainability is actively harming people, especially those without a financial safety net behind them. Espeically now, when on last weekend’s episode of Sunday with Laura Kuenssberg on the BBC, Shadow Education Secretary Laura Trott (Conservative MP) stated that the Conservatives plan to stop government funding for "dead-end" university courses (meaning creative arts) if they win the next general election. (Source: Arts Professional)

Although this episode was written and recorded before that interview aired, it is still an important listen. Drawing on data from the SML x ArtTactic Talent Report and my own career trajectory, I break down what jobs in the art world actually pay (spoiler: often less than the London Living Wage), why museum roles are structurally inaccessible to working-class applicants, and what the access problem really looks like in practice.

I also share practical advice including:
the questions I now ask myself before taking on unpaid work

how I managed my budget in my early London career

and why transparency around money is one of the most radical things we can do for this industry.

Whether you’re just starting out, feeling stuck in a low salary, or wondering how anyone affords working in culture, this episode is for you.

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If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker
and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein

The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd.

In this episode, I sat down with Rosie Allan, former co-Managing Partner of Sophie Macpherson, a leading recruitment firm specializing in the art market.

I speak to Rosie about her journey into art world talent and recruitment, and what drew her to this particular corner of the industry. We talk about the groundbreaking Art Market Talent Reports that Sophie Macpherson has released over the past few years - research that has sparked essential conversations about working conditions, career pathways, and structural challenges across the sector.

I ask her about the UK Employment Rights Bill and what it actually means for people working in galleries, auction houses, and museums today. We discuss what a strategic job search looks like in the current landscape, how the process differs between the US and UK art markets, and what mid-level professionals can do to convince employers they're ready for senior roles.

We also talk about career progression in an industry where traditional advice doesn't always apply, Rosie's decision to step down as co-managing partner after years with the company, and so much more.

Thank you Rosie for coming on the podcast!

You can follow Sophie Macpherson Ltd on Instagram here: https://www.instagram.com/smlsearch/

You can follow Rosie here:
https://www.instagram.com/rosieallan_art/

You can check out SML’s website here: https://www.sophiemacpherson.com/

- - - - - 

If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠

Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ 

ABOUT THE HOST:
I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.

SOCIALS: 
Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker
and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/

This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ 

COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Research and Creative Assistant: Iris Epstein