The Pianist Podcast

• Lucy Parham

  In this podcast, Lucy Parham talks to Pianist editor Erica Worth about her Composer Portrait series and all the many actors she works with. She also explains why teaching the piano plays such an important role in her musical life, how learning to play a good simple cantabile melody is just as ‘difficult’ as playing a prestissimo run, and – even if she can’t live without his music – why she’ll leave Bach to the experts.

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• Marc-Andre Hamelin

  In this podcast, Marc-André Hamelin chats with Pianist editor Erica Worth about his latest release for Hyperion Records, Found Objects / Sound Objects. Marc also talks about how he would have loved to play for Liszt, why understanding Theory is of the utmost importance for all musicians, and why he’s not yet ready to tackle the Chopin Préludes.

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• Anna Geniushene

  In this podcast, Anna Geniushene talks to Pianist editor Erica Worth about her recent release, Opus 1, which includes the first Opus works by composers Chopin, Tchaikovsky, Schumann, Berg and Brahms. Anna also explains why she’s not yet ready to tackle Bach, what it’s like being married to a fellow concert pianist, and why we should all accept our imperfections at the piano.

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• Episode 19 - Ivana Gavric

  In this podcast, Ivana Gavrić talks to Pianist editor Erica Worth about her upcoming release,Throwback to Dance, which includes an assortment of solo works by Grieg, Ravel, Chaminade,Pejačević and Cheryl Frances-Hoad. We will also find out what she likes to eat before giving aperformance, the reasons why she’s not yet ready to tackle Brahms, and why it’s so important toimmerse oneself in all art forms – whether it be visiting a museum or listening to an opera. Herbiggest piece of playing advice? Remember to ‘breathe’.

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• Episode 18 - Clare Hammond

  In this podcast, Clare Hammond talks to Pianist editor Erica Worth about her latest album – of British Piano Concertos by Britten, Walton and Tippett – which was released this month on the BIS label. Clare also talks about her passion for off-the-beaten-track repertoire, the technical issues of learning left-hand repertoire, and why it’s so important to bring music to a wider audience.

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