The Alan Moore Cast

Writer/artist Tom Scioli (Godzilla Monsterpiece Theatre, Fantastic Four: Grand Design) joins us to discuss Twilight of the Superheroes, Alan Moore’s unmade DC Comics crossover proposal from the 1980’s.
We dig into the various ways Moore designed this to be the perfect crossover, discuss the story’s role as the “ultimate end” to the DC Universe and reminisce on a time when Alan Moore seemed genuinely excited to work with DC Comics.
And to check out Tom’s animated version of the pitch, click here!
Theme music by Michael Pflug

© Nathan Cabaniss

Hosted on Acast. See acast.com/privacy for more information.

West Coast Davengers joins us this week to break down one of Alan Moore’s most controversial works: Batman: The Killing Joke, with artist Brian Bolland.
We get into the story’s lasting impact on the Batman mythos, discuss the controversial fate of Barbara Gordon and ask the question… does Batman really kill the Joker in the end?
Theme music by Michael Pflug

© Nathan Cabaniss

Hosted on Acast. See acast.com/privacy for more information.

Writer/artist Michel Fiffe (Copra) joins us this week to break down one of the big ones: Miracleman #15, by Alan Moore and John Totleben.
We get into the apocalyptic fight between Miracleman and Kid Miracleman, marvel over artist John Totleben’s mastery of superhero carnage and quiet moments alike and reflect upon the overall influence of the story on every superhero comic that followed thereafter.
Theme music by Michael Pflug

© Nathan Cabaniss

Hosted on Acast. See acast.com/privacy for more information.

This week on The Alan Moore Cast, we’re taking a look at Alan Moore’s work for Marvel Comics… or, more specifically, the lack thereof.
Some of Moore’s earliest professional work was for the Marvel UK imprint, but after the early 1980’s, the writer’s work for the House of Ideas was few and far between. What happened between Moore and Marvel that ultimately caused Moore to swear off working for the publisher? How close did Moore come to writing for Marvel again in the early 2000’s? And which Marvel hero was Alan Moore most interested in tackling?

EPISODE BIBLIOGRAPHY:
Fantasy Express #5, “An Interview with Alan Moore,” Eddie Stachelski, 1983
Arken Sword #11, “Alan Moore: Part Two,” Paul Duncan, 1984
BLIMEY!: The Blog of British Comics, “The Daredevils (1983),” Lew Stringer, 2015
Escape Magazine #6, Alan Moore, “An Impossibly Rich Celebrity’s Guide,” 1984
Speakeasy #54, “Moore and Claremont Speak Out on Writing,” Unknown Author, 1986
Miracleman #2, “M^^^^^^MAN: FULL STORY AND PICS,” Alan Moore, Eclipse Comics, 1985
KIMOTA!: The Miracleman Companion, “Revival and Revelation,” George Khoury, TwoMorrows Publishing, 2001
The Extraordinary Work of Alan Moore, George Khoury, TwoMorrows Publishing, 2003
“The Alan Moore/Marvelman Interview Part II: A Crumpled Letter from Archie Goodwin,” Pádraig Ó Méalóid, comicsbeat.com, 2013
Wizard: The Comics Magazine #119, “The Buzz Bin” in “News & Notes,” Wizard Staff, 2001
“#46: Friendless,” Tom Brevoort, Man with a Hat, 2023
Wizard: The Comics Magazine #125, "2002 Preview,” Mike Cotton, 2002
Wizard: The Comics Magazine #130, “The Wizard Q&A: Alan Moore,” Mike Cotton, 2002
Theme music by Michael Pflug

© Nathan Cabaniss

Hosted on Acast. See acast.com/privacy for more information.

Editor Scott Dunbier joins us this week to reminisce about his time as the main editor for America’s Best Comics, Alan Moore’s exclusive imprint set up at Jim Lee’s WildStorm Studios.
Scott tells us all about how the ABC line came to be, talks about what it’s like being Alan Moore’s editor and tells the full story of how he and Jim Lee broke the news to Moore that WildStorm was being sold to DC Comics.
Theme music by Michael Pflug

© Nathan Cabaniss

Hosted on Acast. See acast.com/privacy for more information.