Comic Book Historians

Alex Grand sits with Don McGregor again to discuss his personal and professional relationship with the late David Anthony Kraft, editor and publisher of Comics Interview magazine and former editor and writer at Marvel and DC Comics in the 1970s and 1980s. Don also reviews his published worked The Variable Syndrome and Dragonflame published through Kraft's Fictioneer books.

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Joshua Sky, the Masters of the Universe mini-comic writer, joins Comic Book Historians to share growing up on Maui in the 1990s, discovering comics through polybag packs and Marvel trading cards, and finding community in a local Dungeons & Dragons group. He traces his path from a Daily Show internship and five years in Marvel’s licensing division during the Disney acquisition through work at Disney, Fox, and animation on Ben 10 and Niko and the Sword of Light. A science-fiction short story in Heavy Metal led to writing MOTU mini-comics for Mattel, where he has produced about fifty issues, created new characters, and worked with original creators. The talk ends with his short-story collection Nervous System, a Heavy Metal feature, graphic memoir Aloha, and thoughts on thriving as a hybrid corporate-creative.

#MOTU #HEMAN #MINICOMIC #skeletor 
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Alex Grand & Jim Shooter fill in the gaps not discussed from his career spanning biographical interview with Alex Grand & Jim Thompson.  Shooter starts off on licensing deals with why the movie Star Wars saved Marvel whereas the Superman film didn't, licensed products like Close Encounters of the Third Kind, Starriors, Crystarr & Raiders of the Lost Ark, Battlestar Galactica, Godzilla & Shogun Warriors, Micronauts, ROM , GI JOE, pushing HASBRO to make female GIJOE's, Marvel Productions animation's relationship with Stan Lee under DePatie & Margaret Loesch, the origin of Transformers & Optimus Prime, Spider-Man and his Amazing Friends with Iceman & FireStar,  his creation of Cybertron, Stan Lee's formal title as publisher in the 1980s, Star Comics, Care Bears, He-Man, Spider-Ham, Royal Roy Harvey lawsuit with Warren Kremer, ThunderCats, Avengers 200 with Marcus & Carol Danvers, 1986 being the year of corporate war, Jim Owsley/Christopher Priest, Why he didn't stop New Universe after funding was cut, his working relationship with Barry Windsor-Smith and Valiant corporate deals, why he penciled under the name Paul Creddick in the early Valiant days, Don Perlin, working on new Valiant and Darkhorse with Mike Richardson in 2007, and his final verdict on Gary Groth and the Comics Journal.  Edited & Produced by Alex Grand.  

#Animation #Jim Shooter #Godzilla  #GIJoe #Transformers

© 2021 Comic Book Historians, LLC.
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Alex Grand & Jim Shooter fill in the gaps not discussed from his career spanning biographical interview with Alex Grand & Jim Thompson.  Shooter starts off contrasting both Stan Lee & Jack Kirby both of whom he worked with from 1976-1978 on the Spider-Man newspaper strip & Eternals, talks about their Silver Surfer graphic novel, working with Sol Brodsky at Marvel, seeing Larry Lieber over at Atlas/Seaboard, the copyright law of 1978 that affected his job from his first day as Editor-In-Chief, the creators union that Neal Adams tried to build in 1978, his role in Neal Adams' film Nannaz,  Steve Ditko's input into the creators union discussion, why Jim Starlin left Marvel in 1977 and came back in 1980,  his last banquet with Wally Wood at SDCC shortly before his death, the altercation between him and Howard Chaykin that caused his departure from Marvel & mainstream comics for a while, the exodus of other artists & writers of Marvel during his tenure, the incoming new crowd of comic artists and writers, why Denny O'Neill arrived at Marvel and then left in the 1980s, the genesis of Marvel Age Magazine with Carol Kalish & Jim Salicrup, working with Danny Fingeroth,  the creation of the 1984 Marvel Fumetti comic, working with Marvel tech expert Eliot R. Brown, and why Mike Carlin left Marvel. Edited & Produced by Alex Grand.  

#Marvel #Jim Shooter #SDCC  #Atlas #MarvelAge

© 2021 Comic Book Historians
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David Armstrong interviewed Golden and Silver Age great, John Broome in 1998 on set at San Diego Comic Con about his entry into comic books and pulps in the 1930s, working at Quality Comics and DC Comics, knowing Otto Binder, his favorite comic book genre, his science fiction stories synergizing with the space race,  trying to gather support for creators to claim reprint rights from Jack Liebowitz, his stories of the 1950s, if comic books were a gateway to larger narrative projects, his enjoyment of films, writing a movie about Casanova, why he left comic books, and his dearest friend, Julius Schwartz. Armstrong also interviewed Pulp & Graphic Novel writer and Silver Age great, Arnold Drake in 2005 on set at San Diego Comic Con about his early forays into writing in the army during the Battle of the Bulge, submitting stories to the vintage paperback market, meeting Leslie Waller with whom he wrote what some consider the first graphic novel, It Rhymes With Lust, entering DC Comics through his friendship with Bob Kane, his opinion of Mort Weisinger, writing Showcase #1, revitalizing Bob Hope and Jerry Lewis licensed comics at DC,  discussing the threat of Stan Lee's Marvel Age with Irwin Donenfeld, creating Doom Patrol, interacting with Dick Giordano, Carmine Infantino and his favorite artist, Bruno Premiani. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.
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