I Don't Need an Acting Class

Actor work is not an intellectual exercise. And it’s not about “good writing.”
It’s about experiencing.
The audience doesn’t come to the theater for the words on the page. They come for the experience of what the character is going through — in the world of the play.
In this episode, I return to one of my core tools: Talking Out. Through études — structured improvisations in which you speak aloud everything happening with your character — you begin to move off analyzing and philosophizing about the character and move into the experience of the character.

Actors have a tendency to abandon their technique as soon as they get an audition – and leap to a performance. Just taking a little time to really think about the text makes an enormous difference.

There are many roads in to building a character and, unfortunately, there is no paint-by-number approach. It's great as an actor to play with several different techniques.

When an actor does not connect, you catch them "acting". It doesn't matter if it's a television series or a play. Specificity helps us connect.

We have a tendency to leap to clichés because the dialogue seems to lead us there. There's a way to fight this.