Who Arted: Weekly Art History for All Ages

• El Greco | The Burial of the Count Orgaz

  Domenikos Theotokopoulos, better known as El Greco, was a singular figure in art history who bridged the gap between Byzantine tradition and Western modernism. Born in Crete in 1541, he trained as an icon painter before moving to Venice and Rome, where he absorbed the vibrant colors of the High Renaissance. However, his bold personality and vocal criticism of local heroes like Michelangelo made it difficult for him to thrive in Italy. In 1577, he moved to Toledo, Spain, where he spent the rest of his life creating his most famous works for the Church and private intellectuals. El Greco is best remembered as a leading Mannerist. His style rejected strict realism in favor of emotional intensity, featuring elongated figures twisted in unnatural poses and bathed in eerie, acid-green or blue light. While a popular scientific theory in the early 20th century suggested these distortions were caused by astigmatism, historians have proven they were a deliberate stylistic choice intended to emphasize spiritual mysticism. He was also known for his litigious nature, frequently suing clients to ensure painting was respected as a high intellectual pursuit rather than a common craft. One of his crowning achievements is The Burial of the Count Orgaz (1586). This massive painting, located in the Church of Santo Tomé in Toledo, visually synthesizes his two main influences. The lower half depicts a miraculous funeral with striking realism, including portraits of local contemporaries, while the upper half represents the heavens with swirling, abstract forms. Although El Greco fell into obscurity for nearly three centuries after his death in 1614, he was rediscovered by Romantic and Expressionist artists in the 19th century. His unique approach to form and space became a major influence on modern masters, specifically Pablo Picasso, who used El Greco’s distortion as a blueprint for the development of Cubism. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 10 Prehistoric Artworks

  Explore a global journey through prehistoric art, from the earliest figurative works in Africa to foundational pieces in the Americas, Europe, and Asia. This overview, drawing from the AP Art History Global Prehistory curriculum, examines the complex belief systems, ritual practices, and artistic skills of early humanity through ten key artworks. Apollo 11 Stones (Namibia, c. 25,500–25,300 BCE) Great Hall of the Bulls (Lascaux, France, c. 15,000 BCE) Camelid Sacrum in the shape of a canine (Tequixquiac, Mexico, c. 14,000–7,000 BCE) Running Horned Woman (Algeria, c. 6,000–4,000 BCE) Beaker with Ibex Motifs (Susa, Iran, c. 4,200 BCE) Anthropomorphic Stele (Arabian Peninsula, c. 4,000 BCE) Jade Cong (Liangzhu, China, c. 3,300–2,200 BCE) Lapita Terracotta Fragment (Solomon Islands, c. 1,000 BCE) The Ambum Stone (Papua New Guinea, c. 1,500 BCE) Tlatilco Female Figurine (Central Mexico, c. 1,200 BCE) Related Episodes: Chris Boylan | The Laiagam Stone Lascaux Cave Art Apollo 11 Stones Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Vincent van Gogh | The Starry Night (encore)

  Vincent van Gogh saw little commercial success during his lifetime, but he loved art and he worked to forge relationships with other artists he could learn from. The Starry Night came about late in his short career after Vincent van Gogh was hospitalized. He painted the view from his window, but rather than painting things exactly as he saw them, he painted a sort of composite landscape of views from different nights and even different locations. He moved the cypress tree to the foreground and added a little town nestled in the mountains despite the town not being visible from his window. This marked a major shift in painting away from observation of the external world to artists creating work as a show of their internal thoughts and feelings. Related episodes: ⁠Vincent van Gogh (part 1) | The Potatoe Eaters⁠ ⁠Vincent van Gogh (part 2) | Starry Night⁠ ⁠Vincent van Gogh | Sunflowers⁠ ⁠Loving Vincent - a Film Made of Paintings⁠ ⁠Did Vincent van Gogh Really Only Sell One Painting?⁠ ⁠Art Smart: Impressionism & Post Impressionism Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Sand Mandalas (encore)

  The Buddhist monks of Tibet who are known for their tradition of sand mandalas destroy the work after completing it. The word mandala comes from Sanskrit meaning “circle” but a mandala is not your average two-dimensional shape consisting of an outer boundary called the circumference made up of points all equidistant from a fixed center point. A mandala representation of the universe. While many people talk about Mandalas in reference to radial symmetry, mandala designs have spiritual significance beyond mere repetition. The act of creating a sand mandala is meditative. It requires monks to focus, to be calm, still and deliberate in their actions. And then, after completing the construction, they move on to a ritual deconstructing the piece. Even the deconstruction is a part of the artistic process with spiritual significance. Destroying the sand art is a reminder of the transitory nature of the universe. Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Hans Holbein the Younger | The Ambassadors (encore)

  Hans Holbein the Younger painted The Ambassadors in 1533. It is a massive, life sized double portrait filled with symbolism that gives us insights into the political and religious upheaval of the day. Still today, it is probably best known for the anamorphic skull cutting across the floor in the composition. In the Ambassadors, Holbein presents the symbol of mortality as a specter that looms ever present though sometimes difficult to make sense of. It can feel like an odd intrusion disrupting a picture carefully and beautifully constructed but if we shift our view a little we can see that nothing lasts forever. Life and the world are constantly changing but there can be a beauty in that too if we can bring ourselves to look at it from the right perspective.  Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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