Screenplayed Breakdown

Adam Wingard joins The Screenplayed Breakdown to discuss Onslaught, his return to independent filmmaking after years of working within the studio system. Adam discusses the filmmakers and films that shaped his approach, from John Carpenter and James Cameron to The Fog, Halloween III, Terminator 2, and No Country for Old Men. He breaks down how those influences came together in the film’s visual language, including the “war room” where he and his collaborators built a vision board from the movies that inspired them.
Adam also discusses the process of developing Onslaught from a much smaller, $300,000 movie into a larger-scale action film, and how he and writer Simon Barrett eventually found the story’s 24-hour siege structure. He explains how collaboration with actors like Dan Stevens and Rebecca Hall transformed the characters, why he believes filmmakers need to embrace big creative swings, and the challenges of maintaining a personal vision while working inside the studio system. Adam also reflects on the realities of making a sustainable living as an independent filmmaker and why low-budget movies can be a way into the industry, but not necessarily a way to stay there.

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Justin Halpern and Patrick Schumacker join The Screenplayed Breakdown to discuss Abbott Elementary, the acclaimed ABC comedy they co-created with Quinta Brunson. They discuss how a chance friendship between two interns eventually led them to running one of television's most successful network comedies.
Justin and Patrick break down their process for breaking a 22-episode broadcast season, building character arcs around "tent pole" episodes, and using collaborative outlines to bring an entire writers' room into the process. They also discuss what they learned from Quinta Brunson about allowing scenes to simply let audiences live with characters, why character work should come before plotting, and how casting can fundamentally change the characters on the page.
Justin and Patrick previously co-created Surviving Jack and Harley Quinn, and have worked together in television since meeting as interns at Quentin Tarantino's production company.

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Michael Sarnoski joins The Screenplayed Breakdown to discuss The Death of Robin Hood, a new reimagining of the legendary outlaw starring Hugh Jackman and Jodie Comer. Michael discusses his lifelong fascination with the Robin Hood myth and why he chose to tell the character's final chapter.
Michael breaks down his writing process, from his vomit pass first drafts to discovering characters organically as he writes. He also discusses balancing writing and directing, shooting ambitious action sequences in just thirty days, and why he believes the best creative work comes from following ideas that seem impossible or even like bad ideas on paper.
Michael previously wrote and directed the acclaimed drama Pig starring Nicolas Cage and directed A Quiet Place: Day One.

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Megan Gallagher joins The Screenplayed Breakdown to discuss Peacock’s hit thriller series 'All Her Fault,' starring Sarah Snook. As the show’s lead writer and showrunner, Megan breaks down the process of adapting Andrea Mara’s bestselling novel into an eight-episode television event and reveals how major storylines, characters, and twists were developed specifically for the series.
Megan discusses her unconventional path into the industry, moving from the United States to Norway and building a television career through the British and European production systems. She explains the differences between American and British writers' rooms, the challenges of constructing a mystery that keeps audiences guessing, and the importance of creating satisfying twists that feel surprising yet inevitable.
The conversation also explores Megan’s experience assembling a writers' room, working with directors Minkie Spiro and Kate Dennis, and translating complex character dynamics from page to screen. She reflects on writing personal material inspired by her own family, the realities of sustaining a career in Hollywood, and why success in the entertainment industry is less about connections and more about persistence and hard work.
Before creating 'All Her Fault,' Megan wrote and produced television projects across Scandinavia and the United Kingdom, including work for BBC One. She continues to develop character-driven thrillers and adaptations for international audiences while serving as a writer, executive producer, and showrunner.

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In this episode, Andrew Guest joins the Screenplayed Breakdown to discuss Marvel's new show, Wonder Man. Andrew is the showrunner of the series and brings with him a wealth of television experience, having worked on landmark comedies including 30 Rock and Community before moving into the Marvel universe with Hawkeye.
Andrew reflects on the experience of working within the Marvel machine, including what it is like to collaborate with Kevin Feige, and how the writer's room for a streaming show differs fundamentally from the network television rooms where he came up. He also touches on the dual nature of Hollywood that Wonder Man itself explores, the industry as both a source of genuine inspiration and deep frustration, and closes with what advice he would offer his younger self at the start of a career that eventually landed him at the helm of one of Marvel's most unconventional projects.

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