Close Readings

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece. This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Karl Miller on ‘Don Quixote’: ⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠ Michael Wood: Crazy Don ⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠ Gabriel Josipovici on Cervantes’ life: ⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠ Robin Chapman: Cervantics ⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠

George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace. In the final episode of Novel Approaches, Clare Bucknell and Tom Crewe discuss Gissing’s great portrait of London at its shabbiest. They explore Gissing’s unrelenting realism, his gift for writing nuanced characters, and why, in Tom’s words, if the novel is gloomy, it’s ‘an invigorating gloom’. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ Further reading from the LRB: Frank Kermode on George Gissing: ⁠https://www.lrb.co.uk/the-paper/v05/n02/frank-kermode/squalor⁠ Rosemarie Bodenheimer on Gissing’s life: ⁠https://www.lrb.co.uk/the-paper/v31/n13/rosemarie-bodenheimer/give-us-a-break⁠ Jane Miller on Gissing’s letters: ⁠https://www.lrb.co.uk/the-paper/v13/n05/jane-miller/gissing-may-damage-your-health⁠ Ian Hamilton on a new ‘New Grub Street’: ⁠https://www.lrb.co.uk/the-paper/v05/n02/ian-hamilton/diary⁠ Patricia Beer on Gissing’s women: ⁠https://www.lrb.co.uk/the-paper/v02/n14/patricia-beer/new-women⁠ AUDIO GIFTS Close Readings and audiobooks: ⁠https://lrb.me/audiogifts⁠

Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control. In this bonus episode from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ AUDIO GIFTS Close Readings and audiobooks: https://lrb.me/audiogifts

Samuel Johnson’s doctor, Robert Levet, had piecemeal medical knowledge at best, was described as an ‘an obscure practiser in physick’ by James Boswell and was only paid for his work with gin. Yet for Johnson this eccentric man deserved a poetic tribute for demonstrating ‘the power of the art without show’, a phrase that could as much describe the poem itself. In this episode, Seamus and Mark close their series by looking at the ways in which Johnson’s elegy, 'On the Death of Dr Robert Levet', rejects the pastoral heroism of the poem they started with, Milton’s ‘Lycidas’, and compare it to two poems that offer their own kinds of unsentimental, eccentric portrait: 'Felix Randal' by Gerard Manley Hopkins and 'Stephen Boyd, 1957-99' by Mick Imlah. Seamus and Mark will be back in January to start their new series, 'Narrative Poems'. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠ Find tickets to Seamus's LRB Winter Lecture in London here: https://lrb.me/perrywlpod Further reading in the LRB: Freya Johnston on Samuel Johnson: https://www.lrb.co.uk/the-paper/v41/n09/freya-johnston/i-m-coming-my-tetsie! Patricia Beer on Hopkins: https://www.lrb.co.uk/the-paper/v14/n11/patricia-beer/what-he-meant-by-happiness

Though the last twelve episodes have taken Marina Warner and her interlocutors through many worlds and texts, no series could ever encompass the full scope of fantastic literature. This episode, recorded live at Swedenborg House, is an attempt to fill the gaps, or fail heroically. Marina and Adam Thirlwell are joined by Edwin Frank, editorial director of the New York Review Books and author of ‘Stranger than Fiction: Lives of the Twentieth Century Novel’. Together they assess existing canons and definitions, redefine and rediscover categories and exceptions, and consider the pleasures and uses of the fantastic. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠ Read more in the LRB: Colin Burrow: Fiction and the Age of Lies ⁠https://www.lrb.co.uk/the-paper/v42/n04/colin-burrow/fiction-and-the-age-of-lies⁠ Marina Warner on fairytale: ⁠https://www.lrb.co.uk/the-paper/v12/n21/marina-warner/that-which-is-spoken⁠ Jonathan Lethem on Stanisław Lem and Science Fiction: ⁠https://www.lrb.co.uk/the-paper/v44/n03/jonathan-lethem/my-year-of-reading-lemmishly⁠ A.D. Nuttall on the rhetoric of the fantastic: ⁠https://www.lrb.co.uk/the-paper/v04/n21/a.d.-nuttall/really-fantastic