In The Frame: Theatre Interviews from West End Frame

Melissa Errico is a Tony Award-nominated Broadway star, celebrated concert and recording artist, and writer whose career spans musical theatre and beyond.

Melissa made her professional debut as Cosette in Les Misérables on the US national tour, before making her Broadway debut in Anna Karenina. Her Broadway credits include Eliza Doolittle in My Fair Lady, Tracy Lord in High Society, Isabelle in Amour, Mina Murray in Dracula and Betty Haynes in White Christmas. Her performance in Amour, the only Broadway musical by legendary composer Michel Legrand, earned her a Tony Award nomination. Beyond Broadway, she has performed in Sunday in the Park with George at the Kennedy Center, Passion at Classic Stage Company and Do I Hear a Waltz? with New York City Center Encores!

Alongside her stage career, Melissa has become one of the leading interpreters of the music of Stephen Sondheim and Michel Legrand. Her acclaimed recordings include Sondheim Sublime, Sondheim in the City and Legrand Affair, which she made in collaboration with Legrand himself. Her extensive concert career has taken her around the world, and she is also an accomplished writer whose essays have appeared in The New York Times.

In this episode, Melissa reflects on her remarkable career, the composers and collaborators who have shaped her artistry, and the different ways she approaches storytelling through theatre, concerts and recordings... as well as her love for London!

For more information about Melissa, visit her website www.melissaerrico.com for more info.

This podcast is hosted by Andrew Tomlins
@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.
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Caroline Sheen is playing Madame de Rols in Martin Guerre at the Old Vic.

Martin Guerre is written by Claude-Michel Schönberg and Alain Boublil, the creators of Les Misérables. Directed by Matthew Warchus, the Old Vic production brings the musical back to the stage.

Caroline recently played Maureen in the premiere of Pride at the Sherman Theatre in Cardiff and the National Theatre in London, and will reprise her performance at the Bridge Theatre later this year.

Caroline has had an incredible career, covering Sophie in the original cast of Mamma Mia! before going on to play countless iconic roles. Her theatre credits include Eponine and Fantine in Les Misérables (West End), Sandy in Grease (UK Tour), Truly Scrumptious in Chitty Chitty Bang Bang (UK Tour), Mary Poppins in Mary Poppins (West End and US Tour), Clara in The Light in the Piazza (Curve), Lilli Vanessi/Kate in Kiss Me, Kate (Kilworth House Theatre), Violet Newstead in 9 to 5 (Savoy Theatre), Guenevere in Camelot (Watermill Theatre), Alaura/Carla in City of Angels (Donmar Warehouse), Polly in Crazy for You (Watermill Theatre), Rebecca in Rags (Lyric Theatre), and Susan Walker in Once in a Lifetime (National Theatre). Other credits include The Witches of Eastwick (original cast), Putting It Together (St James Theatre), Under Milk Wood (Watermill Theatre), Only the Brave (WMC/Soho Theatre/Birdsong), Extraordinary Women (Jermyn Street Theatre), Plaza Suite (Savoy Theatre) and Military Wives (York Theatre Royal).

On screen, Caroline has appeared in Ted Lasso, Casualty, The Way, The Mallorca Files, Doctors, The Sister Boniface Mysteries, Ghosts, Silent Witness, Pitching In, Mr Burton, Four Kids and It, Nativity Rocks and the film adaptation of Les Misérables.

In this episode, Caroline discusses starring in Martin Guerre and why the production is such a special, full-circle moment for her, having been a superfan of the musical when it first premiered. She also chats about her incredibly busy year, balancing Martin Guerre with Pride, and reflects on her career journey and the many iconic roles she has played along the way.

Martin Guerre runs at the Old Vic until 31st August. Visit www.oldvictheatre.com for info and tickets.

Pride begins performances at the Bridge Theatre on 12th November.

This podcast is hosted by Andrew Tomlins
@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.
Hosted on Acast. See acast.com/privacy for more information.

Oluwalonimi Owoyemi is starring as the Poet in the touring production of The Choir of Man.

Featuring a soundtrack of pub classics, rock anthems and feel-good hits, The Choir of Man celebrates friendship, community and the power of music. Set in a pub called The Jungle, the show combines live music, storytelling and plenty of audience interaction. Created by Nic Doodson and Andrew Kay, the production has toured internationally and enjoyed runs in London.

Nimi’s theatre credits include The Second Woman (Young Vic), The Wind in the Willows (Shakespeare North Playhouse), Slave: A Question of Freedom (Tour) and Beauty & The Beast (Lawrence Batley Theatre).

In this episode, Nimi talks about his journey into theatre after completing a law degree, and how he made the leap into the performing arts. He take a deep dive into his role as the Poet in The Choir of Man and why being in this production is a big moment for him.

The Choir of Man tours until 5th December before returning to London for a run at the Arts Theatre at Marble Arch.

This podcast is hosted by Andrew Tomlins
@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.
Hosted on Acast. See acast.com/privacy for more information.

Eva Noblezada and Reeve Carney are In The Frame!

Eva and Reeve originated the roles of Eurydice and Orpheus in Hadestown. Featuring music, lyrics and book by Anaïs Mitchell, the show is directed by Rachel Chavkin and won eight Tony Awards including Best Musical. In 2025, Eva, Reeve and original cast members André De Shields, Amber Gray and Patrick Page reunited for a special London season at the Lyric Theatre, with the production filmed live on stage for the cinema.

Hadestown has already been released in cinemas across North America and, later this month, it's released in cinemas across the UK and Ireland.

Eva's theatre credits include Kim in Miss Saigon (West End & Broadway), Éponine in Les Misérables (West End), Daisy Buchanan in The Great Gatsby (Broadway) and Sally Bowles in Cabaret (West End & Broadway).

Reeve's theatre credits include Peter Parker in Spider-Man: Turn Off the Dark (Broadway), the Emcee in Cabaret (West End) and Jay Gatsby in The Great Gatsby (Broadway). Eva and Reeve are married, and starred opposite each other in The Great Gatsby and Cabaret, in addition to Hadestown.

In this episode, Eva and Reeve reflect on their journey with Hadestown, returning to Orpheus and Eurydice in London and some of their standout moments from the show. They also reflect on how their first jobs in theatre have gone on to inform their careers and what success means to them now.

Hadestown is in cinemas across the UK and Ireland from Tuesday 13th October.

This podcast is hosted by Andrew Tomlins
@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.
Hosted on Acast. See acast.com/privacy for more information.

Eve Shanu-Wilson is playing Blanche in the UK premiere of Jane Eyre The Musical at Southwark Playhouse Elephant.

Based on Charlotte Brontë's classic novel, Jane Eyre The Musical is by John Caird and Paul Gordon. The musical originally premiered in Toronto before transferring to Broadway in 2000, and is now receiving its UK premiere at Southwark Playhouse Elephant. This new staging is co-directed by John Caird and Megan McGinnis.

Eve was in the West End production of The Phantom of the Opera (His Majesty's Theatre), where she was initially second cover Christine before becoming first cover and subsequently taking over as Alternate Christine. She then starred as Glinda in the international tour of Wicked, which marked the first English-language non-replica production of the musical.

In this episode, Eve discusses joining Jane Eyre The Musical and why she is excited to be part of the production. She takes us behind the scenes of her Wicked journey, including why she almost didn't attend her audition and what it was like performing the show for Stephen Schwartz. Eve also reflects on her time in The Phantom of the Opera, including the challenges she faced while navigating a vocal injury.

Jane Eyre The Musical runs at Southwark Playhouse Elephant until 24th October.

This podcast is hosted by Andrew Tomlins
@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.
Hosted on Acast. See acast.com/privacy for more information.