Data Transmission Podcast

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New York’s Resco (US) takes control of today’s Spotlight Mix, fresh from landing on Sound D’Elite with his new three-track ‘Dat Funk’ EP.

Released on 7th August, the EP sees Resco linking with Chris Brooks, Max Vitelli and M.O.E across three rolling club cuts. The title track ‘Dat Funk’ brings tight percussion, low-end pressure and chopped vocals, while ‘Get Back’ keeps that swing moving before ‘Dirty Checks’ rounds things out with a darker, bass-heavy groove.

Since breaking through with his Beatport-charting ‘Crazy’ EP in 2024, Resco has been steadily building his name, picking up support from Jamie Jones, Joseph Capriati, Ilario Alicante, Franky Rizardo and Cloonee along the way. His records have already found their way into sets at Elrow and Music On at Pacha, which tells you plenty about where his music is aimed.

That same thinking runs right through this mix. Resco works through tracks from DJ Entwan, Reenday, Freenzy Music, Tomi&Kesh, Supernova and CASSIMM, alongside his own collaborations with Mike Haley and Chris Brooks.

There’s plenty of movement in here, from the chunky roll of ‘Big City Roller’ and ‘Get Back’ through to Sandro Martins’ ‘Baile de Favela’ remix and CASSIMM’s ‘That Funky Sound’. And, fittingly, Resco closes the session with ‘Dat Funk’, bringing things back to the release currently doing the damage.

Turn it up and get into Resco (US)’s Spotlight Mix below.

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⚡️ iTunes Podcast: https://apple.co/4xJutpZ
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Marco Lys Steps Into the Data Transmission Podcast

There are very few producers who have stayed this consistent for this long.

Marco Lys has been shaping house and tech house for more than two decades, releasing across Black Book, VIVa Music, Circus, Bambossa, SBJKT and plenty more along the way. The Venice-born producer has built his name on rolling grooves, tribal percussion and records made with the dancefloor firmly in mind.

That formula has kept him near the top of the pile. Marco sits among Beatport’s leading House artists, pulls in more than 430,000 monthly Spotify listeners, and his remix of Cajmere feat. Dajae’s ‘Brighter Days’ became one of the defining house remixes of 2023.

For his Data Transmission podcast, he gets straight down to business.

The mix moves through cuts from Javi Bora, Vibe Killers, Route 94, Piem, Ammo Avenue and Detlef, alongside a serious amount of Marco’s own music. ‘Real Love’, ‘Super Hot’, ‘Flute’, ‘So Good’, ‘Solo’, ‘Kente Flow’, ‘Too Bad’ and ‘Hause Muzica’ all make appearances.

It is exactly where Marco Lys operates best. Big grooves, tight drums and enough swing to keep things moving from the club basement through to the festival floor.

Get stuck into Marco Lys’ Data Transmission Podcast below.

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Amanda Simpson makes her debut on dt weapons with ‘Wait What’, a sharp, attitude-loaded club cut built for heads-down dancefloor moments.

Based out of New York, Amanda has been steadily carving out her own lane as a DJ, producer and creative voice, bringing together underground club energy with a playful, personality-led edge. After already catching attention through Data Transmission’s Demo of the Week series, she now steps properly into the label fold with a debut that feels confident, direct and ready for the booth.

‘Wait What’ wastes no time locking into its groove. A tight, rolling rhythm section drives the track forward, while a punchy bassline, trippy acid touches and a teasing vocal hook give it that raised-eyebrow, late-night character. The arrangement keeps things moving with stripped-back tension, clean drops and enough bite to cut through a busy room without losing its swing.

Raw, fun and full of club-ready swagger, ‘Wait What’ is a strong first statement from Amanda Simpson on dt weapons.

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Massi Rocket brings the heat for our latest Spotlight Mix

Milan’s Massi Rocket steps into the Data Transmission Spotlight with a groove-heavy mix built around rolling percussion, warm basslines and the kind of house music that works best once the room has properly filled up.

Rocket has been part of Milan’s club fabric for years, both behind the decks and behind the scenes. He owns Rocket Club, programming international guests alongside local talent, while his Motel Calypso parties have grown into their own label operation. His productions have also landed on Spinnin’ Records and MIAW, moving between deep, tech and minimal house without losing that club-first mentality.

That same approach runs straight through this mix. There’s plenty of swing in here, with cuts from Mendo & Angel Heredia, Calussa, Pinedo, Chico Rose, Arzenic and Mr. Belt & Wezol & RUZE keeping things locked into a warm, percussive pocket. Latin touches, chunky drums and rolling low-end do most of the work, with the energy building naturally rather than reaching for cheap peaks.

Sitting right in the middle is Massi Rocket and Alfrenk’s ‘Tribal Vibes’, released on Motel Calypso Records on 24th July. The pair built the record around tribal drums, toms, airy hats and a looping bassline, with guitar touches and spoken vocals giving it just enough character without getting in the groove’s way.

It fits this mix perfectly. House music with its sleeves rolled up, made for terraces, basements and those sweaty few hours when percussion starts doing most of the talking.

Get stuck into Massi Rocket’s Spotlight Mix below.

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👉 Data Transmission:
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Killed Kassette launches new label with reimagined version of house classic ‘Flashdance’

The UK producer’s new single featuring Maisie Ma’e lands on 10th July as the debut release on Killed Kassette Records.

Killed Kassette is opening a new chapter with the launch of his own imprint, Killed Kassette Records, unveiling a contemporary rework of the house classic Flashdance as the label’s inaugural release.

Out on 10th July, the single features vocalist Maisie Ma’e and sees the UK producer revisit one of dance music’s most iconic records through a modern club lens, with entirely new vocal and guitar recordings alongside an updated production aimed squarely at today’s dance floors.

Rather than recreating the original, Killed Kassette has approached the project as a full reinterpretation, retaining the energy and emotion that made the track a house staple while delivering a sound designed for 2026 systems, festivals and peak-time sets.

Having built a reputation with releases on labels including Armada, KMS, Kittball and Perfecto. Killed Kassette has continued to establish his credentials within the international house scene though his official remix work for artists such as Kevin Saunderson, Cassimm, Harry Romero, Chez Damier, Carl Craig and Roland Clark.

The new release also marks the beginning of Killed Kassette Records, a platform that the producer says will focus on forward-thinking house music while remaining rooted in the spirit and culture of the underground.

“Flashdance has always been one of those records that I wanted to use to connect to a new generation of clubbers,” says Killed Kassette. “I wanted to create something that respected the original but felt completely at home on modern dance floors. We re-recorded everything from scratch, brought in live guitars and Maisie’s incredible vocal performance, and gave it a fresh identity while keeping the emotion that made the record so special.”

Maisie Ma’e’s soulful delivery provides the centrepiece of the new version, bringing a contemporary edge to a timeless dance anthem and helping to bridge classic house influences with modern production aesthetics.

With its blend of live instrumentation, updated sonics and a clear nod to house music heritage, Flashdance offers a fitting statement of intent for the launch of Killed Kassette Records and the next phase of the producer’s career.

Killed Kassette ft. Maisie Ma’e – ‘Flashdance’ is released on Killed Kassette Records on 10th July.