EP 102: Taxes for Humans: A Conversation with Hannah Cole
Artist and accountant Hannah Cole talks about her new book "Taxes for Humans"—your not-boring guide to taxation for self-employed artists. We discuss why tax education is deliberately kept from us, how to fix a messy tax situation without shame, and Hannah's secret agenda to turn artists into activists.
Plus: tax-advantaged accounts, disaster relief benefits, and why it's worth investing in your professional development before the year ends.
Related links:
Taxes for Humans
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EP 101: How to Get Studio Visits Without Reading Minds
This week I'm extending a conversation I started in my revived Hyperallergic column: do you need a proper studio space to get studio visits? The answer is no—if you handle it properly.
But the real question isn't about your space. It's how to network effectively so visits actually happen. I break down the exact timing strategy for outreach, why most networking fails in the follow-through, and how to structure emails that make it easy for people to say yes.
The biggest reason artist emails don't get responses isn't disinterest—it's that the email didn't make it easy to respond. I cover four principles that change that and walk through a real scenario showing how to think strategically about follow-up.
Want the exact framework? Join me for my free webinar Monday, November 24th at 7 PM EST.
RELEVANT LINKS:
Hyperallergic: Do I Need a Studio?
Free Webinar Sign Up: How to Get Studio Visits Without Reading Minds
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EP 100: Inside Netvvrk with Painter Chris Moss
This week on the Art Problems podcast interview series "Inside Netvvrk", I'm wrapping up the series with Chris Moss, a painter and the artist advisor who leads all of Netvvrk's studio critiques.
Chris has been with Netvvrk for years. He shares what it's like to go from being completely stuck to organizing a neighborhood studio crawl that brought hundreds of people through his door. We talk about why COVID isolation finally pushed him to find a solution, how he went from zero shows to curating exhibitions with himself in them, and why self-worth is one of the biggest intangible benefits of investing in your career.
Chris also gets into why regular critique with other artists matters more than almost anything else for making better work.
If you've been feeling stuck or isolated in your practice, Chris's focus on community and taking action—even when it feels uncomfortable—might be exactly what you need to hear.
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EP 99: Inside Netvvrk with Multidisciplinary Artist Brent Showalter
This week on the Art Problems podcast interview series "Inside Netvvrk", I'm talking with Brent Showalter, a multidisciplinary artist whose brilliantly colored paintings and photographs transform layered compositions of color and shape into vibrating surfaces.
Brent runs multiple businesses and brings that same strategic mindset to his art practice. In doing so, he's able to devote more time to his art. We talk about how his accountability group helped him finally organize his entire archive, and what it takes to feel confident when opportunity knocks—whether that's the director of the Guggenheim walking into your studio or an Instagram comment from a curator.
Brent also shares how that casual comment turned into a curated opportunity in 24 hours—because he had everything ready to go.
If you've been wondering whether Netvvrk is worth the investment, this conversation will help. It shows what happens when you stop reinventing the wheel and start using the tools that already work.
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EP 98: Inside Netvvrk with Abstract Painter Ann Marie Auricchio
This week on the Art Problems podcast interview series “Inside Netvvrk”, I'm talking with Ann Marie Auricchio, an abstract painter who creates work at the intersection of psychological and physical experiences.
Ann Marie shares what it's like to restart your art career after 25 years in another profession. She talks about why having all your materials ready isn't enough if you don't know how to use them, and how a shoulder injury became the perfect time to invest in herself.
We get into how she went from feeling stuck and isolated in New Orleans to landing her first museum solo show and working with multiple galleries. She also explains how writing exhibition proposals with other Netvvrk members led to actual acceptances—and taught her when to turn down opportunities that don't financially make sense.
We also talk about researching institutions by looking at other artists' CVs and why community matters even when people can be annoying.
If you're restarting your career or feeling isolated in your practice, this conversation will help. It shows what's possible when you get your assets in order and find your people.
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