In Our Time: Religion

Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences? The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555 With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery John Gash Senior Lecturer in History of Art at the University of Aberdeen And Ela Nutu Hall Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield Producer: Simon Tillotson

Melvyn Bragg and guests discuss why, in 1870, the Vatican Council issued the decree ‘pastor aeternus’ which, among other areas, affirmed papal infallibility. It meant effectively that the Pope could not err in his teachings, an assertion with its roots in the early Church when the bishop of Rome advanced to being the first among equals, then overall head of the Christian Church in the West. The idea that the Pope could not err had been a double-edged sword from the Middle Ages, though; while it apparently conveyed great power, it also meant a Pope was constrained by whatever a predecessor had said. If a later Pope were to contradict an earlier Pope, then one of them must be wrong, and how could that be…if both were infallible? With Tom O’Loughlin Professor of Historical Theology at the University of Nottingham Rebecca Rist Professor in Medieval History at the University of Reading And Miles Pattenden Departmental Lecturer in Early Modern History at the University of Oxford Producer: Simon Tillotson and Julia Johnson

Melvyn Bragg and guests discuss the war in Europe which begain in 1618 and continued on such a scale and with such devastation that its like was not seen for another three hundred years. It pitched Catholics against Protestants, Lutherans against Calvinists and Catholics against Catholics across the Holy Roman Empire, drawing in their neighbours and it lasted for thirty gruelling years, from the Defenestration of Prague to the Peace of Westphalia of 1648. Many more civilians died than soldiers, and famine was so great that even cannibalism was excused. This topic was chosen from several hundred suggested by listeners this autumn. The image above is a detail from a painting of The Battle of White Mountain on 7-8 November 1620, by Pieter Snayers (1592-1667) With Peter Wilson Chichele Professor of the History of War at the University of Oxford Ulinka Rublack Professor of Early Modern European History at the University of Cambridge and Fellow of St John’s College And Toby Osborne Associate Professor in History at Durham University Producer: Simon Tillotson

Melvyn Bragg and guests discuss the philosophy of hope. To the ancient Greeks, hope was closer to self-deception, one of the evils left in Pandora's box or jar, in Hesiod's story. In Christian tradition, hope became one of the theological virtues, the desire for divine union and the expectation of receiving it, an action of the will rather than the intellect. To Kant, 'what may I hope' was one of the three basic questions which human reason asks, while Nietzsche echoed Hesiod, arguing that leaving hope in the box was a deception by the gods, reflecting human inability to face the demands of existence. Yet even those critical of hope, like Camus, conceded that life was nearly impossible without it. With Beatrice Han-Pile Professor of Philosophy at the University of Essex Robert Stern Professor of Philosophy at the University of Sheffield And Judith Wolfe Professor of Philosophical Theology at the University of St Andrews Producer: Simon Tillotson

Melvyn Bragg and guests discuss the ideas and life of the German theologian, born in Breslau/Wroclaw in 1906 and killed in the Flossenbürg concentration camp on 9th April 1945. Bonhoeffer developed ideas about the role of the Church in the secular world, in particular Germany after the Nazis took power in 1933 and demanded the Churches' support. He strongly opposed anti-Semitism and, with a role in the Military Intelligence Department, took part in the resistance, plotting to kill Hitler and meeting with contacts in the Allies. Bonhoeffer's ideas on Christian ethics and the relationship between Christianity and humanism spread more widely from the 1960s with the discovery of unpublished works, including those written in prison as he awaited execution. With Stephen Plant Dean and Runcie Fellow at Trinity Hall at the University of Cambridge Eleanor McLaughlin Lecturer in Theology and Ethics at the University of Winchester and Lecturer in Ethics at Regent’s Park College at the University of Oxford And Tom Greggs Marischal Chair of Divinity at the University of Aberdeen Producer: Simon Tillotson