The XS Noize Podcast

In this episode of the XS Noize Podcast, Mark Millar sits down with James Graham and Andy MacFarlane — the creative core of Scottish band The Twilight Sad — to talk about their powerful sixth album It's The Long Goodbye.
Written across a seven-year period, the album became the band's most personal and emotionally direct record to date. Much of it was shaped during a difficult chapter in James Graham's life as he navigated his mother's illness, his own struggles with mental health, and the weight of grief and loss.
During the conversation, James and Andy reflect on the long journey behind the record — from early demos developed during lockdown to the moment the songs finally came together as a cohesive album.
They also discuss their close relationship with Robert Smith of The Cure, who contributes guitar and six-string bass to several tracks after years of friendship and touring together.
Along the way, the band look back at their early years, the evolution of their sound over two decades, and how songwriting helped transform personal experiences into music that connects deeply with listeners.
Listen to the XS Noize Podcast: https://linktr.ee/xsnoizemusicpodcast

In this episode of the XS Noize Podcast, Mark Millar sits down with Damon Minchella — founder of Ocean Colour Scene, longtime bass player for Paul Weller, and collaborator with Richard Ashcroft — to talk about his candid and often hilarious memoir You'd Look Good on a Donkey.
Across a musical life that has ricocheted between some of the biggest names in music — from Paul McCartney and Jimmy Page to Diana Ross, Dr. John and The Who — Minchella has built a career full of extraordinary stories, unlikely encounters, and a deep love of music that runs through everything he does.
During the conversation, Damon reflects on the creation of You'd Look Good on a Donkey, a memoir that captures the highs, chaos, humour and survival instincts required to navigate life in the music industry.
In this wide-ranging conversation, Damon opens up about the early days of Ocean Colour Scene, the Birmingham music scene that shaped the band, and how their sound developed during the Britpop era.
He also shares memories of working closely with Paul Weller — one of Britain's most influential songwriters — and what he learned from being inside Weller's musical world for so many years.
The conversation explores the realities of band life, the strange rhythm of touring and recording, and the delicate balance between personal life and the pressures that come with a career in music.
Along the way, Damon discusses the process of writing the book itself — revisiting decades of experiences that range from hilarious and absurd to deeply personal — and explains why honesty and self-reflection were essential to telling the story properly.
Whether you're a fan of Ocean Colour Scene, interested in the behind-the-scenes realities of the music industry, or simply enjoy a great rock memoir, this conversation offers an entertaining and revealing look at a life spent in and around music.
Related topics: Ocean Colour Scene, Paul Weller, Richard Ashcroft, Britpop, rock memoirs, British rock history, You'd Look Good on a Donkey



About The XS Noize Podcast
With more than 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories.
Hosted by Mark Millar, the show has featured an extraordinary lineup including Steve Lillywhite, Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more.
Explore the complete XS Noize Podcast archive.
New episodes drop weekly — subscribe for in-depth conversations with the artists who shape modern music.

In this episode of the XS Noize Podcast, Mark Millar sits down with legendary U2 producer Steve Lillywhite to discuss his work on landmark albums including Boy, War, The Joshua Tree, Achtung Baby, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb, and No Line on the Horizon.
Across a career spanning more than four decades, Lillywhite has worked with some of the most influential artists in modern music. But his work with U2 — from their earliest recordings through some of their biggest albums — helped define the sound of one of the world's most important bands.
During the conversation, Lillywhite reflects on the creative environment around Achtung Baby, one of the most influential records in U2's catalogue, and explains what a producer actually does in the studio — describing his role as the "captain of the ship" guiding a band through the creative process of making an album.
He shares memories of first encountering U2 before the mythology existed, when four young musicians from Dublin were still discovering their identity — and explains why he immediately sensed something different about them.
The conversation explores the band's creative evolution across landmark albums including Boy, War, The Joshua Tree, Achtung Baby, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb, and No Line on the Horizon, and how U2's sound developed in the studio over the years.
Lillywhite also offers insights into the craft of record production — from capturing the distinctive guitar sound of The Edge to shaping Bono's vocal performances and finding the emotional centre of a song.
Along the way, he reflects on the collaborative nature of the studio, the controlled chaos of working alongside producers like Brian Eno, Daniel Lanois and Flood, and the moments when a record suddenly comes alive.
Whether you're a U2 fan, a musician, or simply fascinated by the craft of record-making, this conversation offers a rare look inside the creative process behind some of the most iconic albums of the last forty years.
About The XS Noize Podcast
With more than 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories.
Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more.
Explore the complete XS Noize Podcast archive.
New episodes drop weekly — subscribe for in-depth conversations with the artists who shape modern music.

In this episode of the XS Noize Podcast, Mark Millar sits down with Zak and Matty from The Dream Machine to talk about Fort Perch Rock — the band's third studio album and a record shaped by instinct, friendship and a deep connection to place.
Formed in 2021, the band first emerged with their 2022 debut Thank God! It's The Dream Machine, followed by 2024's James Skelly-produced Small Time Monsters. With Fort Perch Rock, they move further into their own identity — self-produced and recorded between studios on the Wirral and in Liverpool.
Built with a DIY spirit, Fort Perch Rock leans into creative freedom. Zak and Matty discuss embracing a hands-on production approach, allowing songs to evolve naturally rather than chasing polish for its own sake. The local environment plays a strong role in the record's atmosphere, grounding it in memory, shared experience and the energy of the Wirral and Liverpool music communities.
In this conversation, they reflect on their songwriting process — how ideas often begin with a riff or a feeling before being shaped collaboratively. They also talk about balancing nostalgia with originality, making music primarily for themselves rather than trends, and why live performance remains central to how their songs continue to grow and connect with audiences.
About The XS Noize Podcast
With over 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories.
Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more.
Explore the complete XS Noize Podcast archive here.

In this episode of the XS Noize Podcast, Mark Millar sits down with Dave Pen of Archive to talk about Glass Minds — the band's 13th studio album and a bold new chapter in a 30-year journey defined by reinvention, collaboration and creative risk.
Formed in Croydon, South London in 1994, Archive have evolved from trip-hop pioneers into one of Europe's most respected alternative collectives. Glass Minds, released Friday 27th February 2026 via Dangervisit through [PIAS], follows the ambitious 2022 triple-album Call to Arms & Angels, which charted Top 10 across Europe and culminated in their biggest headline show to date at Paris' Accor Arena.
Produced by Archive alongside long-time collaborator Jerome Devoise, and recorded in Brighton, London and Paris, Glass Minds marks a shift toward a more minimal, down-tempo sound — built on space and emotional weight. New textures emerge through Essex rapper Jimmy Collins on "Heads Are Gonna Roll," while Lisa Mottram shines on the title track and "The Love The Light." At its core is the eight-minute "So Far From Losing You," one of the band's most personal and expansive pieces to date.
In this conversation, Dave Pen reflects on joining Archive and becoming part of a true creative collective. He discusses the trust and experimentation that shape the band's process, the evolution of their sound over three decades, embracing AI in the album's visual identity, and why live performance remains the ultimate space where Archive's songs continue to grow and transform.
About The XS Noize Podcast
With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories.
Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more.
Explore the complete XS Noize Podcast archive here.
New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.