178 episodios
- What happened when the people written out of the Grand Tour wrote their own account of it?
What did an eighteenth-century Bengali diplomat see in London that made him call the British a conceited race?
And how did a man from Bihar end up as shampooing surgeon to the King of England?
Afua Hirsch and Peter Frankopan follow the travellers the Grand Tour left out — enslaved servants, Black abolitionists, Indian intellectuals — and find them looking back at Europe with a colder eye than Europe ever turned on them.
Frederick Douglass and Sarah Parker Remond met in Rome in 1868, two free Black Americans taking in the ruins of one slave society while campaigning against a living one. Mirza Abu Talib Khan toured Britain and reported home that its true religion was money. I'tesamuddin filled a notebook with the wonders of Europe and the conceit of its inhabitants. And Sake Dean Mahomed opened a vapour bath in Brighton and gave English the word shampoo. The Grand Tour was never only white men learning Latin — it was the moment the world started looking back.
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[0:00] The Grand Tour you think you know — powdered wigs, Roman ruins, enough marble to fill a museum
[3:01] The servants who weren't servants: enslaved Africans on the road to Italy and France
[4:29] Frederick Douglass, viral superstar, meets Sarah Parker Remond in Rome
[8:36] Ira Aldridge plays Shakespeare to the aristocrats who came for the ruins
[13:40] Bihar to Brighton — and the word that came with him
[17:54] Europe judged: spiritually hollow, morally compromised, excessively fond of luxury
[25:24] The Maharajas whose Cartier and Rolls Royce orders kept European luxury solvent
[36:24] What actually killed the Grand Tour, and whether Magaluf is its heir
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas:
Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
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Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information. - What's a garnet mined in Sri Lanka two and a half thousand years ago doing in a silver hairpin dug up near Bruges? Why are the Duke of Burgundy and the conqueror of Constantinople staring each other down for the first time in history? And, how did most of Belgium forget that its own counts once sat on the throne of Constantinople?
Afua turns interviewer as Peter opens the doors on Bigger Picture, the exhibition he has spent four years building to reframe Bruges as one of the great connected cities of the medieval world.
It's the opening show at BRUSK, Bruges' vast new exhibition hall — 250 objects from 90 lenders, among them a Memling released from Turin, a Vatican portrait of Alexios I Komnenos that has never been lent before, and Gentile Bellini's Mehmed II brought face to face with Philip the Good. Along the way: a very Belgian silence, a wall of Bruce Springsteen memoirs, the price of medieval pepper — and Peter greeting visitors as a hologram.
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[0:00] Afua opens the Legacy inbox on Peter's four-year secret project
[3:04] A very Belgian silence, a coffee break, and the job is Peter's
[9:13] Asked to pick one object, Peter picks three
[12:20] Philip the Good meets Mehmed the Conqueror, five centuries late
[16:14] How the counts of Flanders ended up emperors of Constantinople
[27:42] Hologram Peter, and how to see the show before 8 September
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas:
Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
legacy.supportingcast.fm
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information. - What actually turned a teenage aristocrat into a "finished" gentleman in the 1700s? Why did one incredibly long, incredibly expensive holiday end up inventing the whole idea of "the West"? And why can you still trace a straight line from that holiday to Frankenstein, the contents of half of Britain's country houses, and this year's tenth anniversary of the Brexit vote?
Send a nineteen-year-old aristocrat to Europe for three years with a credit line and a chaperone paid to keep him out of trouble, and what comes home is part fashion victim, part looter, part accidental philosopher — the invention of modern Western identity, Frankenstein, and a culture war about "the Continent" that's still running.
Join Legacy Plus for bonus episodes, early access, Q&A's, fewer adverts and more.
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[0:00] Peter admits his own anti-aging anxieties before Afua reveals what the new series is really about
[3:34] Meet "The Original Gap Year" — and the ex-priest travel blogger who coined the term
[13:51] The bear leader — the 18th-century minder whose entire job was damage control
[15:51] The macaronis — home from Italy in silk and powder, mocked as "un-British"
[21:19] Standing where Gibbon stood — how one ruin becomes an entire theory of civilisation
[24:56] A wrecked holiday, a volcano, and a ghost story that becomes Frankenstein
[25:37] Ten years since the Brexit vote — and the Grand Tour's fingerprints are still on it
[31:09] Where Chatsworth's marble busts actually came from
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas:
Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
legacy.supportingcast.fm
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information. - What does it take to get a room of ex-military festival-goers in rural Wiltshire to agree Britain should return its stolen gold? And why does an obsolete Victorian law still make it a criminal offence for the British Museum to give any of it back? Afua Hirsch just spent a week testing both — with a Buckingham Palace thought experiment, a courtroom-style cross-examination, and a verdict on two centuries of looted treasure that even British Museum members found hard to argue with.
Afua brings Peter inside two sold-out tents at the Chalke Valley History Festival — one on the Ashanti gold Britain still won't return, the other on the German peasants written out of history. Welcome to Legacy Inbox, a new lighter-touch addition to the feed.
Join Legacy Plus for bonus episodes, early access, Q&A's, fewer adverts and more.
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[0:00] Afua's back from Chalke Valley, sold-out crowds and all
[4:10] Barnaby Phillips and a sequel to Loot bring Ashanti gold into the tent
[12:05] A sacked palace, a stolen throne, and a case Afua calls open and shut
[18:55] Her answer to "it's illegal to give it back": test it in court
[21:52] The 2024 loan Britain calls generosity — and Ghana calls something else
[24:00] A blacked-out England XI, and what it says about the British Museum
[25:38] Why a tent full of skeptics left more hopeful than they arrived
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas:
Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
legacy.supportingcast.fm
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information. - What does it mean when the sons of empire become the heroes of the nation that once ruled them? Four years later, what happens when one of those same colonies turns round and beats France on the biggest stage there is? And could two World Cups, played four years and one continent apart, actually tell you where the world's centre of gravity was heading next?
Peter and Afua trace France '98 and the first World Cup ever held in Asia, from Zidane's headed goals to Senegal's shock win over the champions, to ask what football reveals about migration, empire and a shifting world order.
Join Legacy Plus for bonus episodes, early access, Q&A's, fewer adverts and more.
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[0:00] A million people on the Champs-Élysées, and a face that didn't fit the old postcard of France
[2:56] The Republic's beautiful idea, and the empire it was built on
[6:06] Zidane, Thuram, Vieira — the team Le Pen said wasn't really French
[9:53] Ronaldo's mystery fit, hours before the final
[15:05] Iran and the USA, white flowers, and a photograph that stopped the world
[23:14] The World Cup leaves the Atlantic world for the first time in 72 years
[27:26] South Korea's run to the semi-finals, and the making of a soft-power superpower
[34:20] Senegal 1, France 0 — what it meant to beat the empire
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas:
Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.
legacy.supportingcast.fm
Stay connected with Legacy:
Instagram: @originallegacypodcast
TikTok: @legacy_productions
Explore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com
Hosted on Acast. See acast.com/privacy for more information.
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Afua Hirsch and Peter Frankopan tell the wild stories of some of the most extraordinary men and women ever to have lived – and ask whether they have the rep they deserve. Should Nina Simone’s role in the civil rights movement be more celebrated than it is? When you find out what Picasso got up to in his studio, can you still admire his art? Was Napoleon a hero or a tyrant - or both? (And, while we’re at it, was he even short?) Legacy is the show that looks at big lives from the perspective of now – and doesn’t always like what it sees. Hosted on Acast. See acast.com/privacy for more information.
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