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Earth Dreams: Zen Buddhism and the Soul of the World

Amy Kisei
Earth Dreams: Zen Buddhism and the Soul of the World
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  • Playing in Polarizations
    Polarization & PlayPolarization (def)—division into two sharply contrasting groups, sets of opinions or beliefs. When we stop seeing similarity or what is shared, but only see difference. When difference becomes a threat.Play (def)— to engage in something for enjoyment or for sport. Be cooperative. Try something out.I want to say, we are living in a polarized time. But I find myself questioning each word. I look for polarization and find it in my social media feed, in the news, in my own inner dialogue —as certain views and opinions claim their rightness about what I should or should not do, believe or say.But, I don’t see such polarization in the setting sun, the migrating monarch butterfly who is sitting on this sunflower, here in my front garden. It seems like the monarch, the sun, the sky and serenading cicadas are not so concerned with the rifts of mind or media feed.Is it disrespectful to place play near the gravity of polarization, when Webster warns that play has nothing to do with serious things and when politicians are using words like “civil war?”Play is actually an important quality for awakening, for living in divisiveness—for it is an invitation to bring curiosity to righteousness, shame spirals, fear loops and the other players in polarized thinking.Play as LiberationThe play I want to invite is the play of liberation. The play that is invoked in the Mahayana Sutra of Vimalakirti. A sutra that emerged in an in-between-time in Buddhist history. Where there were forces in power who believed they had the “right” teachings, the correct practices to transcend this painful world of suffering and enter nirvana.Yet another view was emerging right in the midst of the dominant one. A view that seemed to turn the whole tradition on its head. A view, a practice, a teaching that pointed to the profound path of liberation that could be recognized by seeing through all views—awakening to the empty-yet-apparent nature of all form and concept. This view pointed to a liberation that was based in the direct experience of interdependence, where no one is separate from anyone else—where this world and this body are the place and vehicle for living an awakened life. This was the emergence of the way of the bodhisattva.An Extraordinary ImprobabilityThe teaching came through a sick man living the life of a householder in India. His name was Vimalakirti and was considered a great bodhisattva and teacher of the non-dual way. When asked why he was sick Vimalakirti replied: “I am sick, because the world is sick.”Joan Sutherland in her book Vimalakirti and The Awakened Heart says this about the Bodhisattva. “Vimalakirti embodies a number of provocative dualities in addition to being a sick bodhisattva: he’s a rich man who gives all of his money to the poor, someone who lives among family, but remains solitary, has children and frequents brothels but remains celibate, goes to bars, but doesn’t get drunk…The koans speak of him as an extraordinary improbability.”The sutra in its in-between-ness is considered a precursor to both the koan tradition of Chan and the tantric tradition of the Vajrayana. The sutra has well-known characters from the Buddhist pantheon such as the elder monk Shariputra and the Bodhisattva Manjushri engaging in discourse with this layman Vimalakirti and the goddess who happens to live in his room completely unseen until the middle of the story.The Goddess’s TransformationsAt some point in the story the goddess makes her appearance, and we are told that she had always been there (another nod to the incipient koan tradition: how can someone who has always been here, appear?)As she appears flowers rain down, falling to the feet of the Bodhisattvas but sticking to the robes of the elder monks. Shariputra is quite disturbed by this flower affixing itself to his robe—he has made a vow not to adorn himself with the fragrance and flamboyance of a flower.The goddess engages him here, asking him to show her the nature of flowerness.Their conversation spans topics such as the nature of self-obsession and liberation, before Shariputra asks the goddess why she continues to be a woman, when surely being male would be preferable for she would have a chance at liberation.This opens up a dialogue captured in Case 58 of the Hidden Lamp“I have looked for the innate characteristics of the female form to no avail. How can I change them? If a magician created the illusion of a woman, would you ask her, “Why don’t you transform yourself out of your female state?”Shariputra replied, “No. Such a woman would not really exist, so what would there be to transform?”She said, “Just so. All things do not really exist, so how can you ask something that doesn’t exist to change its form?”Then the goddess, by supernatural power, changed Shariputra into a likeness of herself and changed herself into a likeness of Shariputra and asked, “Why don’t you transform yourself out of your female state?”Shariputra cried, “I no longer appear in the form of a male! My body has changed into a woman’s body! I don’t know what to transform!”She replied, “Just as you are not really a woman but appear to be female in form, all women appear to be female in form but are not really women. Therefore, Buddha said that all beings are not really women or men.”Then she changed Shariputra back into his own form and asked, “And where is your female form now?”My teacher Chozen Roshi writes the commentary to this case and opens saying: “Once someone asked me, “In India it is said that you cannot be enlightened it you are a woman. What does Zen say about this?” I answered, “In Zen practice we say that in order to be enlightened, you must become completely a woman, completely a man, both, and neither.”The Four Positions of PolarizationChozen’s response is an articulation of Rinzai’s four positions. It’s an expression of the flexibility of heart that we train in, in koan practice. It’s a practice for recognizing the empty-yet-apparent nature of all concepts and forms and unsticking from our habitual ways of seeing the world.What is it to be completely A, completely B, both and neither?This is something we can explore anytime we have a set of opposites or polarized parts of us. This could be explored in a conflict with another person, an inner conflict, as koan exploration or as dream/soul work.To use the koan above as an example, here is a step-by-step way you might explore the polarity of Shariputra and the Goddess. Feel free to journal, draw or move between these positions in a more embodied way. Or listen to the audio above for verbal guidance on these steps.* Let yourself inhabit the position of Shariputra and shift your position slightly to the right. This could be the part of us that wants to do it right, is disciplined, has a sense of the rules, feels self-righteous. Let yourself feel your inner Shariputra. What does it feel like in the body to want to do it right or to feel self-righteous? What feelings are you aware of? What fears or wants? If you could speak as Shariputra what would you say? Now let go of Shariputra and come back to center.* Now move to the left and let yourself inhabit the position of the Goddess. The Goddess is a more sensual part of us, she embodies prajna wisdom, playfulness, a certain kind of faith that all is OK. Let yourself feel your inner goddess. What does it feel like in your body to embody faith, sensuality, playfulness, prajna wisdom? What feelings are you aware of? Are there fears or wants? If you could speak as the goddess, what would you say? Now let go of the goddess and come back to center.* Now reconnect with both Shariputra and the goddess. Let yourself feel both of these parts in your body at once. Notice what it is like to have them both present—not needing to choose a side or be one or the other, just allowing both energies. What do you notice?* Now let them both go. You might energetically step back, or imagine emptying out. Be a hollow bamboo tube or empty space. Nothing you need to do, just rest in the after glow of the journey. Notice what you see from this perspective of being no one in particular.Take a moment to notice your breath, move your body, shake out or stretch and come back to the felt sense of your body right here and now. Ground in your senses. Thanks for trying on this practice! You might take a moment to journal about anything you noticed or simply feel what it feels like in your body now.In koan work as well as working with personal material, there are always layers to the exploration. We meet or become aware of what perspectives feel more familiar and which ones we are more averse to, afraid of or resistant to feeling. This is a training in holding views lightly and seeing into the nature of perspective/part. Sometimes in describing koan work teachers talk about “the third thing”, not either A or B, but C.This movement between being fully A, fully B, both and neither allows new perspectives to emerge. It allows us to move more freely though the spectrum of being and to appreciate the flexibility of our open hearts. When I do IFS with clients, we often discover that the parts of us that seem polarized, often want the same thing for us—they just have really different strategies or beliefs about how to get it. To see this, often awakens openness + compassion—a third thing—which allows for transformation and healing.This practice is practical and mysterious—its an invitation to play in the mystery of being and to stay open to the possibility that exists within apparent polarities.I’m Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha.I currently have a few openings in my Spiritual Counseling practice for the Fall. I offer a four-session intro package for $250.Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. This is where the Summer Read is happening if you want to join the discussion and practice live. Schedule here.Feel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe
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  • Heart Mirror Gazing
    Greetings Friends,I have a deep love and appreciation for the wonderment and creativity of this life. It’s un-pin-down-able, slippery, un-define-able—like a water color painting that continuously repaints itself.One story from the Zen tradition that has always helped me stay awake to amazement and in courtship with the great mystery is the Zen Mirror of Tokeiji.A partial-telling of which can be found in Case 34 of the Hidden Lamp.The convent of Tokeiji had a great mirror. The founding abbess, Kakuzan Shido, would meditate before it in order to “see into her own nature.” Later generations of nuns would practice zazen in front of the mirror, concentrating on the question: “Where is a single feeling, a single thought, in the mirror image at which I gaze?” Each abbess of Tokeiji wrote a verse in response to the mirror practice. The following verse was composed by the fifth abbess Princess Yodo:Heart unclouded, heart clouded;standing or falling, it is still the same body.When I was first introduced to this story it was during a silent meditation retreat, and we were invited to sit as this great mirror in the mirror hall. The invitation to be a mirror was a powerful pointing out instruction for me.In the invitation to be a mirror, I glimpsed the mirror-like-nature of Mind.The aspect of Being that is clear, open and all-inclusive.The reflections of mind, body and heart danced inside this mirror together with the reflections of other bodies, the floorboards and the sound of the birds. The Heart-Mirror didn’t have preference for any of it, allowing pain to co-mingle with ecstasy, judgment to merge with the electrical hum and blowing wind. I was all of it— nothing left out.In a strange unfolding of circumstances I inherited an old mirror from one of the deceased residents at the assisted-living facility I was working at while still in training at Great Vow. I started practicing mirror-gazing in my small dorm room, the old mirror propped up against my cubicle-board wall. Since inheriting that old mirror the practice of mirror gazing has continued to evolve in my life, practice and teaching. In 2020 Jogen Sensei and I led a sesshin where we took up the Mirror practice of Tokeiji—encouraging participants to gaze at their own face in the round mirrors we taped to the backs of chairs. The practice of mirror-gazing is much like the practice of zazen, in that it opens as we stay with it. Although often non-linear many people find in both seated meditation and in mirror-gazing that they move through various stages in the practice.Below is a sampling of some of the phases of practice people often move through in both mirror-gazing and seated meditation. In both practices we endeavor to stay in present moment experience, in mirror-gazing we take the mirror as our support for meditation, in zazen the support may be breath, sound, the felt sense of the body or some other aspect of the present moment.* Meeting mind’s reactivity—we start to see all the ways the mind doesn’t want to stay, it flits here and there, gets caught in circles of judgment, resistance, planning. In mirror gazing we may meet the harsh critics who want to pick apart our faces.* Settling—if we stay with the practice, continuing to come back to just seeing. We may start to experience our bodies and faces more like the mirror does— without reactivity or judgment simply seeing the color, textures, shapes of what is in front of it. We may even experience compassion, love, tenderness or simply equanimity for this face that looks back at us. This also happens in zazen, where peace and acceptance opens up for whatever experience we are having.* Inquiry—As the thinking mind settles and space opens up curiosity can be engaged with. The women of Tokeiji practiced with the breakthrough koan: Where is there a single feeling, a single thought in this mirror image which I gaze? Is this reflection thinking? Does this reflection have feelings? Where are the thoughts that you are aware of? The feelings? Are they too reflections in this great mirror of awareness?* Mirror Awareness—whether mirror gazing or practicing zazen sometimes we wake-up to the mirror-like quality of awareness itself. In mirror-gazing it can happen when we notice the clarity and spaciousness of the mirror itself. Our Mind’s are like this clear and open mirror.Every woman who came to train at Tokeiji practiced mirror gazing, and would write a poem expressing the insights that came through from engaging with this practice. The poems of the women who became abbess became part of an emerging koan curriculum unique to this temple.Below are three poems from the Abbesses. The nuns living at Tokeiji would meditate on their poems and then would be asked to demonstrate their understanding without using words, but through their bodies.The poem of the sixth teacher, Ninbo:Even without any mirror to reflect the things,Every time one looks, there is a mirror reflecting them in theHeart.The poem of the third teacher, ShotakuAs night falls, no more reflections in the mirror,Yet in this heart they are clearly seen.Poem of the seventh teacher RyodoIf one asks where the reflections in the pure mirror go whenthey vanish,Do you declare their hiding-place?Listen to the Dharma Talk for a more in-depth exploration of this story. I share some reflections from the commentary in the Hidden Lamp, by Zenju Earthlyn Manuel and also some from Ruth Ozeki’s book The Face: A Time-Code.If you take up the practice of mirror-gazing or sitting as a mirror, I would love to hear your reflections or feel free to share your own mirror-poem.I’m Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha.Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. This is where the Summer Read is happening if you want to join the discussion and practice live. Schedule here.This coming week we will be exploring case 25 & case 33 (Nyozen’s Pale Moon of Dawn and Bodhidharma’s flesh)Feel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe
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  • Transmissions from the Crescent Moon
    Hello Good Friends,It’s late summer and I can feel the seasonal shift. Here in the northern states the Earth is darkening earlier and staying dark later, its cooler too. The humidity has dropped and the insects have grown quieter in my central ohio village. The tomatoes, peaches, corn, and zucchini are in abundance, the pawpaws are ripening and chicken-of-the-woods are blazing orange on fallen logs. We even found some huitlacoche! What seasonal shifts are happening where you are?What are you harvesting?Part of what I appreciate about the hellenistic and modern astrological systems is that they are tuned into these subtle seasonal shifts that happen monthly. As they track the apparent movement of the Sun as seen from Earth.As earth-dwellers our lives are dependent on the Sun, and as the Sun appears to move through the sky—changing its range throughout the year (at least for those of us who live at a distance from the equator). We feel it, the plants and animals feel it. Even as our modern lives tick-on—we experience the seasons in quite significant ways.The change from summer to late summer is one I have always felt the strongest. The long days, hot sun, increased opportunities for connection, travel and creative expression which in the heart of summer feel like they will never end (oh the magical thinking, generosity and wonders of fixed fire, leo). Finally give way to the grace of the setting sun, lingering shadows, ripening fruits and dryer days of late summer, with its back-to-school reminders (that I feel even though its been almost twenty years since I personally followed the academic rhythms).I find my inner hermit tugging at the heart—inviting me to conserve, prioritize, remember what is essential. Though the light of the sun is falling lower on the horizon, the light of the heart is awake. This is the time of year assigned to virgo, mutable earth, the virgin, the hermit, the cultivator, the servant, the healer, the practical witch.A body exposed to the golden wind! —Zen Teacher Yunmen.Do you feel the seasons shift in your body too?My local sangha, Mud Lotus, invited virgo season in with a vocal toning practice this past Friday on the new moon. Vocal toning is a practice of letting voice, body, breath and awareness join together with the soundscape of other voices, bodies and breath. Folks who participated shared about the seeming magic of releasing their bodies and minds to sound and were surprised at the soundscapes that emerged with rich and layered emotional textures, as our bodies released, opened, shuttered and at times felt stuck. Others noted how their thoughts asked: how does my voice fit here? before releasing into the collective breath where each tone, each voice, each body, each block has a place.The practice of toning has always been a part of my spiritual practice, and it feels good to be continuing that practice with local community here.Our Monday night online sangha is continuing with the Summer Read of The Hidden Lamp, as we move into this late summer time.This week as the dark moon started to reveal her growing crescent light. We read Nyozen’s Pale Moon of Dawn.The nun Nyozen of Tokeiji used to meditate on the enlightenment poem of Chiyono as her theme for realization:With this and that I tried to keep the bucket together,And then the bottom fell out.Where water does not collectThe moon does not dwell.Later, Nyozen grasped the essence of Zen, and she presented this poem to her teacher:The bottom fell out of the bucketOf that woman of humble birthThe pale moon of dawnIs caught in the rain puddles.While the full moon in Zen is an image of our true nature. We asked, what about the dark moon? Which often represents—endings and new beginnings—the unknown, the mystery of death and birth.How do we stay connected to the moon when we can not see them?How do we stay connected to the path of awakening when it seems to be happening in the dark of our unconscious, when it seems like we aren’t making any progress, when we don’t know what is going on?The poems are written by two women who have never met. Nyozen meditated on Chiyono’s poem as a koan. This is part of the mystery of transmission in the Zen tradition. We hear the words and stories of our ancestors, and at times we feel invited, called to spend time with a line, a story, a poem—and as we do—the line, story or poem begins working on us.We internalize it. We start to embody it as a living question, a living teaching. Much of this work happens in the dark. We seem to forget about it. We lose some of the words. But slowly over time or sometimes all at once—something is revealed. We know something about who we are, what is reliable, what is present even as the seasons pass and we get older.Crescent Moon TransmissionCrescent Moon hanging lowOn the horizonAn ancient hornPlaying through our bodiesFor a momentJoin your voice withThe moon’s songAnd hear each being sing you awake!Listen to the dharma talk recording for a more in-depth exploration of Nyozen’s Pale Moon of Dawn. And join us on Monday Night for the next case in the Hidden Lamp, Case 34: The Zen Mirror of Tokeiji with commentary from Zenju Earthlyn Manuel. I invite you to spend some time with the moon or one of these poems. Feel free to share your own Moon Transmissions or reflections here.I’m Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha.Interested in an astrology reading for eclipse season? or for the rest of the year? I have openings for Sept and into the Fall.Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. This is where the Summer Read is happening if you want to join the discussion and practice live. Schedule here.This coming week we will be exploring case 25 & case 33 (Nyozen’s Pale Moon of Dawn and Bodhidharma’s flesh)Feel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe
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  • Like a Mountain
    Greetings Friends,I am returning from 10 days of monastic practice at my former home, Great Vow Zen Monastery. While I was there I had the opportunity to celebrate my teacher Chozen Bays Roshi’s 80th birthday, to practice and lead the annual outdoor sesshin that we call Grasses, Trees and the Great Earth Sesshin and to facilitate a precepts ceremony. I love monastic practice. I love merging with the great activity of awakening. I love the depth of practice that opens up when we sustain the gaze on our true nature and allow the bodhisattva vow to flow through us. I love being in this process of liberation and love with others. Many of us are asking:* How to live in a world on fire?* What is an appropriate response?* What should I do with my life?The heart of practice awakening seems to turn these questions on their head, and ask instead what do you call the world?And, who are you?And what is your life?Many great thinkers have posited that we can’t solve problems with the same mind that created them. What happens when we dare to step out of the problem-solving mind all together? What happens when we look directly into the assumptions we make about ourselves and the world? What happens when we gaze into the nature of life/death?When we are willing to even begin to entertain these questions, and know ourselves beyond thought and label—another world opens up. Someone said recently “it’s like I’m inhabiting a different body.”The body of this world, is our body. The body of mountain, space, silence is also our body.The Zen Buddhist tradition is alive with teachings from practitioners, contemplatives, and mystics who were engaged in this kind of inquiry. Who sustained the gaze on the great matter, and invited us to realize this great body of awakening.During sesshin we were chanting and practicing with Dogen Zenji’s Mountains and Waters Sutra. In this sutra, Dogen Zenji invokes Mountains as a metaphor for the nature of our mind. Mountain presence points us to the ever-abiding presence, spaciousness and silence of our own awake awareness.Here is an excerpt from the beginning of the Mountains and Waters Sutra.Mountains and rivers right now are the actualization of the ancient Buddha way. Both mountains and rivers abide in their true form and actualize true virtue. Mountains and rivers transcend time and are alive in the eternal present. They are the original self and they are emancipation-realization. Mountains are high and wide. The movement of clouds and the inconceivable power of soaring in the wind comes freely from the mountains.We can re-write this paragraph replacing Mountains with “we” or “our true nature”. Below is an example.We–right now are the actualization of the ancient Buddha Way. We abide in our true form and actualize true virtue. We transcend time and are alive in the eternal present. This is our original self—emancipation-realization. Our awareness is high and wide, the movement of thought and the inconceivable power of awakened activity comes freely from Mind’s nature.Really this is an invitation to embody Mountain. To give over your body and life to the body and life of Mountain. Once when we were practicing with this sutra during a summer practice period my teacher said:If you practice with Mountain everyday for the next 60 days, it will change you.Let yourself be a Mountain, and in that realize how you already are still, silent, spacious, safely rooted—lacking nothing.The video above is a guided meditation on Being a Mountain. In my experience Mountain practice opens up an essential aspect of zazen. I invite you to try it out. And don’t be shy, let your wild Mountain body-mind rest in its fundamental space.You have always belonged to this great body of awakening.You have never been separate.I’m Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha.I currently have a few openings in my Spiritual Counseling practice for the Fall. I offer a four-session intro package for $250. Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. This is where the Summer Read is happening if you want to join the discussion and practice live. Schedule here.This coming week we will be exploring case 25 & case 33 (Nyozen’s Pale Moon of Dawn and Bodhidharma’s flesh)Feel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe
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  • Remember Being A Flower?
    Being FlowerOn Monday night during meditation we sat together as a community of flowers. Sun flower, daisy, rose, violet, marigold, milkweed, celosia, echinacea, blue vervain, poppy, queen anne’s lace, crocosmia, zinnia.We were studying the koan Case 19 from the Hidden Lamp, Flowers in the Buddha Hall.The nuns of Tokeiji were famous for their beautiful elaborate flower decorations on Buddha’s Birthday. Zen Teacher Yodo, the abbess wrote a verse for the occasion:Decorate the heart of the beholder,for the Buddha of the flower hallin nowhere else.Her attendants also wrote verse. Ika wrote:Throw away into the street the years of the past.What is born now on the flower dais—let it raise its newborn cry.Why sit as a flower? It might seem foolish or arrogant. Maybe it is.But its part of the invitation of the koans. To be inhabited by them. To practice seeing through the face of a sunflower—breathing in light—deeply connected to earth and sky. Opening petal by petal into this troubled and mysterious world.Some call the wide-eyed flower jasmine.Some call the wide-eyed flower thorn.The wide-eyed flower doesn’t care what you call it.I bow to such freedom. —RumiWe’ve spent our lives practicing our human conditioning. Telling ourselves things that aren’t true about our worth, our lacks. Reinforcing a sense of separation, loneliness, fear.What happens when you take-up the practice of being a flower?How does a flower respond to you human thoughts and worries?What does a flower think of your so called problems?We find flowers throughout the buddhist teachings and koans. The Buddha gave a whole sermon—holding up a flower. There are recorded stories of practitioners having awakening experiences upon seeing a flower. flowers are silentsilence is silentthe mind is a silent flowerthe silent flower of the world open—IkkyuRememberingIn this koan the nuns of Tokeiji are re-enacting the story of the Buddha’s birth where flowers rained from the heavens. The story is ancient and the ceremony seems to have roots prior to buddhism. We build a flower bower in the shape of a white elephant that came to Maya in a dream. We decorate the bower in the fresh flowers of spring, and bathe the awakened child who stands on Great Mother Earth, pointing to the sky with one hand and the ground with the other.There is something child-like and innocent about creating a flower dais and bathing the baby buddha in sweet tea. I don’t know the origins of the ritual, but it was something that we practiced when I lived at the monastery, and is part of the Japanese Zen tradition. When we prepare for and participate in the ceremony, we are practicing a kind of remembering. Remembering our own child-like innocence. Remembering how malleable and playful the heart-mind of a child is. Remembering a time in our life where our imagination was ripe. And we really were flowers. Or could become one at anytime. A time when hours could go by and we were perfectly content to sit and watch the daisies bob in the wind. Where we made crowns and wands and palaces out of flowers. A time when we could consult flowers for advice, and laugh with them in yellows, oranges, rubies and pinks.This remembering stretches back before childhood, before we were born.We are remembering who we are—before thought, before we got overly identified with this body. We are remembering our unborn buddha mind—our awakened nature.Yodo’s poem is a reminder that the baby buddha in the ceremony—is us. Our buddha nature, our awakened nature is only right here.Sometimes appearing as a flower, a face, anxiety, fear, aloneness, beauty, love.All appearances are inseparable from the spacious embrace of our buddha nature.Yet, we forget. So we practice remembering.The baby buddha ceremony is a practice of remembering. Seeing flowers can be a practice of remembering. Zazen, chanting, bowing, the precepts, IFS, yoga, dancing all can be practices of remembering. I recently was invited to give a teaching to the Pause Meditation Community on the theme of remembrance. As I was contemplating the theme, I rediscovered Joy Harjo’s poem Remember. And remembered the importance of poetry in our practice of remembering. What is important to remember? What do you want to remind yourself? How do you remember?Here’s a poem I wrote to help me Remember to RememberRemember breathHow it breathes you, even as you sleepAnd your mind drifts here and thereEven when you feel most aloneIts gentle rhythm soothes youAnd gives you your lifeLet yourself feel this ocean inside youRising and fallingLet yourself find your way back to yourselfThrough the sensations of breathRemember and you are awareYour senses open to a world of wonderHear, see, feel, taste, smellThis is your wild and precious lifeAll is connectedYou are part of this one lifeRemember that all is changingMysteriously experience unfoldsThese thoughts are just passing throughNothing is fixedNothing is finalHow you feel now will changeIs already changingFeel the river of your lifeDrink from itRemember silenceLet yourself hear belowThe murmur or yelling of thoughtBefore the music or the noiseSilenceThough it seems we are alwaysTrying to cover it overOr fill it upSilence remainsFeel your own inner silenceBefriend itListen to its wisdomLet it show you something about whoYou really areRemember the goodness that you areFeel the sincerity in your heartCan you let yourself feelThe kindnesses that shape youOpen to joyFor no reasonIts here, even in the heartbreakEven in the painEven when it feels farthest awayRemember this is your lifeIts a good lifeIts worth livingFeel its preciousnessRememberFor a deeper dive into this koan listen to the dharma talk where we explore more deeply some of the symbolism in the Buddha’s birth story, as well as Amala Roshi’s commentary to the koan found in the Hidden Lamp. Join Patrick Kennyo Dunn this coming Monday for Case 20: Shonin’s Shadeless Tree.I’m Amy Kisei. I am a Zen Buddhist Teacher, Spiritual Counselor, Astrologer and Artist. I offer 1:1 Spiritual Counseling sessions using IFS and Hakomi (somatic mindfulness). I also offer astrology readings. Check out my website to learn more. I currently live in Columbus, OH and am a supporting teacher for the Mud Lotus Sangha.Weekly Online Meditation EventMonday Night Dharma — 6P PT / 9P ET Join weekly for drop-in meditation and dharma talk. This is where the Summer Read is happening if you want to join the discussion and practice live. Schedule here.Feel free to join anytime. Event lasts about 1.5 hours. ZOOM LINKIn-Person in Columbus, Ohio through Mud Lotus SanghaWeekly Meditations on Tuesday, Wednesday and ThursdayRetreats, Meditation instruction and other events can be found on our website. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amykisei.substack.com/subscribe
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Zen Buddhist teachings point to a profound view of reality--one of deep interconnection and non-separation. Awakening is a word used to describe the freedom, creativity and love of our original nature. This podcast explores the profound liberating teachings of Zen Buddhism at the intersection of dreamwork and the soul. The intention is to offer a view of awakening that explores our deep interconnection with the living world and the cosmos as well as to invite a re-imagining of what human life and culture could be if we lived our awakened nature. Amy Kisei is a Zen Buddhist Teacher, Somatic IFS Spiritual Counselor, Astrologer and Artist. She practices and teaches at the confluence of spirituality, psychology and somatics--affirming a wholistic path of awakening. You can learn more about Amy Kisei's upcoming retreats and/or 1:1 work on her website: https://www.amykisei.org/ amykisei.substack.com
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