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Ascend - The Great Books Podcast

Harrison Garlick and Adam Minihan
Ascend - The Great Books Podcast
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  • Prometheus Bound by Aeschylus with Dr. Jared Zimmerer
    How would you respond to the will of a tyrant? Today, Dcn. Harrison Garlick is joined by Dr. Jared Zimmerer of Benedictine College to discuss Aeschylus' Prometheus Bound - the first play in an otherwise lost triad. Check out thegreatbookspodcast.com for our reading schedule!WHY SHOULD YOU READ PROMETHEUS BOUND?From the guide:Prometheus Bound is the story of man and civilization. Within the contrast of Prometheus’ rebellion and Zeus’ tyranny, Aeschylus provides a narrative that explores the concepts of liberty and purpose. It is a story of human nature—of the identity of man and the role of technology in shaping that identity.As the conversation with Dr. Zimmerer and Dcn. Garlick highlights, the play “tells us about human nature” by exploring Prometheus as “an anti-hero” who defies Zeus’ tyranny and embodies our natural desire to rebel against oppressive authority. The lines of the good and evil, however, are not straightforward in Prometheus Bound—and many characters must make difficult decisions and compromises.Though not in the play itself, the chief act of rebellion is Prometheus stealing fire from Mount Olympus. It is, in many ways, an analogue of technological progress. Technology is the creation of man but often makes claims upon the nature of its creator. Prometheus Bound invites the reader to reflect upon how technology can bring civilizational ascension or collapse (think atomic power and Oppenheimer).As Dr. Zimmerer observes, in an age where culture is often flattened into “pop cultural” shallowness, the play challenges us to engage with the beauty and depth of human civilization—urging us to resist the trivialization of our divine gifts. By wrestling with these themes, Prometheus Bound not only illuminates the struggles of its characters but also compels us to examine our own drives, freedoms, and responsibilities in shaping the cultural legacy of mankind.Check out our Patreon page!Check out thegreatbookspodcast.com!
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  • How to Read the Bible like St. Thomas Aquinas and Dante
    "Ignorance of Scripture is ignorance of Christ." Today, Dcn. Harrison Garlick is joined by Mr. Thomas Lackey and Mr. Adam Minihan to discuss how to read the Bible like Jesus, St. Paul, the Early Church Fathers, St. Thomas Aquinas, and Dante!There are four senses: literal, allegorical, moral, and anagogical. The guys explain Divine Authorship, Dante's thesis that you read his Comedy like you Scripture, and then explain each sense and give examples.Check our thegreatbookspodcast.com for resources on the Iliad, Odyssey, Dante's Inferno, and more!Summary: St. Jerome states, “Ignorance of the Scriptures is ignorance of Christ” (CCC 112). In other words, we come to know the reality of Jesus Christ by reading Holy Scripture. Yet, what if we read the Bible incorrectly? If the Scriptures are a source of knowledge about our Lord, would not a wrong reading of the text twist our understanding of Christ? We, especially as moderns, are always in danger of distorting the Gospel to meet our own ideological standards. As Bishop Konderla teaches, “We are called to measure ourselves against the teaching of Christ and His Church, not our own imaginations or standards.” He continues, “We must receive the Jesus Christ who came two-thousand years ago, not create a ‘Jesus’ who meets the fashions and fads of this age” (God Builds a House, 6). If we are to discipline ourselves to receive Jesus—and not manufacture a “Jesus”—then a vital part of that reception is a proper understanding of how to know Christ in Holy Scripture. How then does the Church teach us to read Holy Scripture?In the 1300s, the Italian poet Dante Alighieri wrote a letter to his patron, Lord Cangrande della Scala, regarding how one should read the Divine Comedy. His answer was simple: you read the Comedy the same way you read the Bible. In summary of Sacred Tradition, Dante explains that there are four senses or ways to read Holy Scripture: literal and three spiritual ways, i.e., allegorical, moral, and anagogical. These four senses were also taught by St. Thomas Aquinas (STI.1.10) and are contained in the modern Catechism of the Catholic Church (“CCC” 115-19). They represent the time-tested wisdom of the Church on how to come to know and love Jesus Christ through the Holy Scriptures.Let us examine each “sense” of biblical interpretation, how it relates to the others, and how they all draw us into a deeper relationship with our Lord.The literal sense of Scripture is also known as the “historical sense.” St. Thomas notes the literal sense is the meaning the author intended. For example, Dante gives the simple illustration of the passage: “When Israel went out of Egypt.” He observes, “If we look at it from the letter alone it means to us the exit of the Children of Israel from Egypt at the time of Moses.” The literal is simply the intended, historical meaning of a text. It is important, however, to interpret the literal correctly, because “all other senses of Sacred Scripture are based on the literal” (CCC 116). Similarly, Aquinas states that the spiritual sense of Scripture—allegorical, moral, and anagogical—is “based on the literal and presupposes it.” The importance of the literal sense of Scripture as foundational to all other senses emphasizes how vital it is that Catholics read commentaries that are faithful to the magisterium. Like a broken foundation of a home, a slanted literal sense can distort the greater spiritual senses built upon it.The allegorical sense is the first of the three types of the “spiritual sense.” In the...
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  • Lying as Contraceptive Speech: Lessons from Dante's Inferno
    Lying is a sterile act that impedes the purpose of the intellect. Today, Dcn. Harrison Garlick is joined by Sean Berube and Shannon of Catholic Frequency to discuss "Lying as Contraceptive Speech." Dcn. Garlick gives several short talks pulling from Dante's Inferno, the Gospel of St. John, and liberalism with responses from Sean and Shannon from a live recording on X (Twitter).Check out thegreatbookspodcast.com for more help to read the great books!Master Adamo lies a bloated mass of “watery rot.” His amorphous frame bears his diseased paunch and distended limbs, as his lips curl and crack under his parching fever—despite being a waterlogged waste. He lies before Dante the Pilgrim and Virgil and explains how King Minos poured him into the last ditch of the eighth circle of hell. He was a counterfeiter of Florentine florins. He blurred the lines of reality in life and now he lays blurred—a poor counterfeit of his former self.In Dante’s Inferno, the eighth circle of hell is composed of ten ditches populated by flatterers, fortune tellers, deceivers, alchemists, and other fraudulent souls. It is not surprising such souls suffer eternal torment, but it is surprising that Dante the Poet has them suffer with greater severity than murderers or the lustful. Why, for example, would a flatterer suffer a worse fate in hell than Attila the Hun? Why would an alchemist merit greater suffering than Cleopatra or Achilles? The structure of hell, as presented by Dante the Poet, moves from the lesser sins of incontinence—lust, greed, prodigality, etc.—to the greater sins of malice: violence and fraud. For Dante, fraud is more perverse than violence, because it represents an abuse of that which is highest in man: the intellect.The suffering of Master Adamo invites us to three considerations: first, how acting contrary to reason creates a counterfeit anthropology; second, how the intellect suffers when it satiates on untruth; and third, how lying is an act of sterility that leads to a superficial embrace of reality.It will remain, however, to question who is to blame for these unrealities becoming culturally normative, and the steps we must take to purge our imaginations of these counterfeits of Creation...Check out the article that inspired this podcast on the Josias: Our Contraceptive Speech.
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  • Dante's Inferno Ep. 7: Cantos 32-34 with Evan Amato
    The frozen heart of hell. Today, Dcn. Harrison Garlick is joined by Mr. Evan Amato to discuss the frozen wastes of the 9th Circle of Hell - the damned guilty of treachery (or complex fraud).Check out thegreatbookspodcast.com for other great books to read!A few questions from our guide to Dante's Inferno:78. What happens in the ninth circle of hell: Treachery (Complex Fraud) (Canto 34)?Pressing onward, Virgil leads the Pilgrim to “Judecca”—named after Judas Iscariot—in which those souls that have betrayed their benefactors or their lords are frozen completely in the ice.[1] The Pilgrim notes the distorted figures, saying: “To me they looked like straws worked into glass.”[2] Finally, the Pilgrim sees the gigantic figure of Satan. The figure of Lucifer, the arch-traitor against his Benefactor and Lord, God, is frozen in the ice to the waist as his six bat-like wings eternally beating—thus, causing the wind that freezes all in the pit of hell.[3] The Pilgrim observes, Satan, who has three faces on his head, “wept from his six eyes, and down three chins were dripping tears mixed with bloody slaver.”[4] Each one of Satan’s faces bears a distinct color—red, yellow, and black—and in each mouth Lucifer “crunched a sinner.”[5] In the mouth of the central red face, Judas, who “suffers most of all,” and is inserted headfirst.[6] The other two souls are inserted legs first and they are Brutus in the black face—“see how he squirms in silent desperation”—and Cassius in the yellow face."[7] Bringing their journey to an end, Virgil, with the Pilgrim on his back, first climbs down the hairy shanks of Satan, and second, after passing the center of the earth, climbs up the legs of Satan.[8] Heading out toward the Mount of Purgatory, the Pilgrim and Virgil exit the earth and behold the stars in the sky.[9] 79. Why does Dante the Poet use ice to describe the bottom of hell?In Aristotle’s Metaphysics, when he must answer how does the Unmoved Mover move all things if the Unmoved Mover does not move, he answers: love (eros). God is Pure Act, and all things are drawn to him by love—in other words, though unmoved himself, he is the source of all movement in the cosmos. As such, the pit of hell would be the furthest from God; thus, evil, as a type of anti-movement and anti-love finds a poetic home in the imagery of ice. Furthermore, evil is a privation of the good. Evil is not something real but rather something unreal, a lack. Evil is like a hole in the ground or like darkness is to light. Similarly, evil is like cold is the heat. Coldness is not necessarily real per se but is rather the absence of heat. Evil is the absence of good. As such, ice again makes a good image of evil and a fitting pit to a hell structured according to love.80. Why is the...
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  • Dante's Inferno Ep. 6: Cantos 26-31 with Dr. Donald Prudlo
    We finish the 8th Circle of hell! Dcn. Harrison Garlick and Dr. Donald Prudlo of the University of Tulsa discuss pits 8-10 of the 8th Circle of Dante's Inferno (Cantos 26-31). Dr. Prudlo is an incredibly talented Catholic scholar! You'll want to hear what he has to say - especially about Odysseus, Troy, and the Garden of Eden.Visit thegreatbookspodcast.com for more resources!From our guide:64. What happens in the eighth ditch (Cantos 26-27)?Overlooking the eighth ditch, the Pilgrim and Virgil view the punishment of those souls King Minos found guilty of deception or evil counsel.[1] The Pilgrim sees columns of flames, and Virgil explains, “there are souls concealed within these moving fires, each one swathed in his burning punishment.”[2] Dante the Pilgrim observes a “flame with its tip split in two,” to which Virgil explains the flame contains the souls of both Ulysses and Diomedes.[3] The contrapasso of the eighth bolgia is that these deceivers burn as tongues of flame just as their tongues in life brought forth pain and destruction.[4] Moving on, the Pilgrim and Virgil meet another soul, Guido da Montefeltro, “a soldier who became a friar in his old age; but he was untrue to his vows when, at the urging of Pope Boniface VIII, he counseled the use of fraud in the pope’s campaign against the Colonna family. He was damned to hell because he failed to repent of his sins, trusting instead in the pope’s fraudulent absolution.”[5] Virgil and the Pilgrim press on, where, coming to the ninth ditch, they see “those who, sowing discord, earned Hell’s wages.”[6]65. Does fire have a special role in the Inferno?Given its name, most expect fire to be the normative punishment of the Inferno—but it is not. The question is whether the role fire does play has a special pedagogical purpose. Dr. Prudlo sets forth that fire, especially as seen here as “tongues of fire,” represents an “anti-Pentecostal sin.” Fire plays a role in the punishment of the blasphemers, sodomites, usurers, simonists, and false counselors. Fire, as Dr. Prudlo notes, is the “most noble element in Dante’s world,” and it plays a certain “refined punishment” in the Inferno. It seems to signify a certain “unnatural abuse” within the sin, an “abuse of some special gift that God has given us.” The role of fire in the Inferno merits further consideration.66. Is there a special relation between Ulysses (Odysseus) and Dante?Dante the Poet arguably has a certain fondness for Ulysses. As Dr. Prudlo observes: “genius untethered to virtue is one of the most dangerous things that can possibly exist.” Dante the Poet and Ulysses are both geniuses. Yet, Ulysses cannot find rest upon returning to Ithaca—the question for knowledge calls him away from his wife, son, and kingdom to journey out into unknown Ocean. He sails passed the Pillars of Heracles, which mark the boundaries of mortal men, and, upon seeing Mount Purgatory, God strikes his ship and all lives are lost. Dr. Prudlo remarks that where Ulysses attempted to make it to Mount Purgatory despite God, Dante the Pilgrim will make it to Mount Purgatory with God....
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Acerca de Ascend - The Great Books Podcast

Welcome to Ascend! We are a weekly Great Books podcast hosted by Deacon Harrison Garlick and Adam Minihan. What are the Great Books? The Great Books are the most impactful texts that have shaped Western civilization. They include ancients like Homer, Plato, St. Augustine, Dante, and St. Thomas Aquinas, and also moderns like Machiavelli, Locke, and Nietzsche. We will explore the Great Books with the light of the Catholic intellectual tradition. Why should we read the Great Books? Everyone is a disciple of someone. A person may have never read Locke or Nietzsche, but he or she thinks like them. Reading the Great Books allows us to reclaim our intellect and understand the origin of the ideas that shape our world. We enter a "great conversation" amongst the most learned, intelligent humans in history and benefit from their insights. Is this for first-time readers? YES. Our goal is to host meaningful conversations on the Great Books by working through the texts in chronological order in a slow, attentive manner. Our host Adam Minihan is a first-time reader of Homer. We will start shallow and go deep. All are invited to join. Will any resources be available? YES. We are providing a free 115 Question & Answer Guide to the Iliad written by Deacon Harrison Garlick in addition to our weekly conversations. It will be available on the website (launching next week). Go pick up a copy of the Iliad! We look forward to reading Homer with you in 2024.
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