Psicología, Música e Historia

Sean todos bienvenidos a Psicología, Música e Historia. Hoy retomamos desde donde lo dejamos en el episodio anterior para hablar de los dos últimos movimientos de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart.
Musica utilizada:
Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.)
https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEA
Sinfonía No. 39 en Mi bemol K. 543 - Wiener Philharmoniker, Leonard Bernstein
https://open.spotify.com/intl-es/track/2T41FOMqyWK87Hh4Z5uIW1?si=ba4783b2abfa4d32
Missa Brevis in F Major, K. 192: Credo - l'Orchestra Filarmonica di Moss Weisman
https://open.spotify.com/intl-es/track/0gem20bdNoV50sgaUHjM2C?si=38219ab718af4825
Symphony No. 33 in B-Flat Major, K. 319: II. Andante moderato, Sir Neville Marriner, Academy of St Martin in the Fields
https://open.spotify.com/intl-es/track/0yykGOMFzn2Y9P8zw476AR?si=d49061fe73594282
J.S. Bach: The Well-Tempered Clavier, Book 2: Prelude & Fugue No. 9 in E Major, BWV 878 - András Schiff 
https://open.spotify.com/intl-es/track/0v4TPajBQYPFeTPuLLcH1p?si=dbcfc3f94dfc4def
Sinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbado
https://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699

This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Hoy haremos un viaje del Reino Unido de finales del siglo XX a la Viena del período clásico, para hablar de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart.
Musica utilizada:
Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.)https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEASinfonía No. 40 en Sol menor K. 550 - Berliner Philharmoniker, Herbert von Karajan.https://open.spotify.com/intl-es/album/25ydGD8SDCSltZETeRV4yu?si=7AeWS-orS7GFve3SMxbFDAEin Deutsches Kriegslied: Ich möchte wohl der Kaiser sein, K.539 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Peters https://open.spotify.com/intl-es/track/1vlijRZ3vvEj9Y1RDpefaw?si=d8570e70ad9b4a8dMozart: Beim Auszug in das Feld, K. 552 - Meinard Kraak, Dalton Baldwinhttps://open.spotify.com/intl-es/track/2ruxOuJiXLot3KkPjng7YN?si=8bf6135554d746eeUn Bacio di Mano K. 541 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Petershttps://open.spotify.com/intl-es/track/6OETjusSEpVPpUcuDyjyaw?si=1bd1bbf8428c4547Sinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbadohttps://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Retomamos desde donde lo dejamos en el episodio pasado para abordar la segunda mitad de  The Armed Man, una misa para la paz.
Música Utilizada:
Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbThe Eternal Knot - Karl Jenkins (Adiemus Project)https://open.spotify.com/intl-es/track/49VaaIPXgwNH7XeIdco3pu?si=fe661b249c7340aaFor the Fallen: In Memoriam Alfryn Jenkins - Karl Jenkins. LSO y Bernard Cribbins (dir.)https://open.spotify.com/intl-es/track/5kfCVjHKzazEosspVHTY7s?si=39a2751eee764337This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Italia Barroca viajamos al Gales de 1999 para hablar de una de las misas más espectaculares que se han compuesto. The Armed Man, una misa para la paz.
Música Utilizada:
Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbOckeghem: Missa L’homme armé: L’homme armé - Oxford Camerata, Jeremy Summerly (Dir.)https://open.spotify.com/intl-es/track/2GZMgBIWbVtr9iK87UiA6U?si=9c607cfea0cb4a6aElastic Rock - Nucleus https://open.spotify.com/track/1kDgVBQv8uR6NUv2LBIDU8?si=M4EJe7IFSjqMntuILe060QCarol Ann - Soft Machinehttps://open.spotify.com/track/3BMpfut1fhytdChxJCABEU?si=aq7fjVBTTjKDqLfyBDvVdgMissa L’homme Armé: Kyrie - Palestrina (The Sixteen, Harry Christophers)https://open.spotify.com/track/0QqWrQejFzO47gML8BXoto?si=yC__TX-tSySYwMJIMh-xvQThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia, ¡último episodio del año!
Retomamos desde donde lo dejamos en el episodio anterior para hablar del segundo y tercer acto de la ópera Motezuma de Vivaldi.
Música Utilizada
Motezuma - Il Complesso Barroco - Alan Curtis
https://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iA
This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.