Are we all Materialists? Dialectical Materialists? Or are we souls caught in samsara, with many Past Lives? In this episode about Celine Song's two films, we do not ask those questions. Not really. We ask these ones: Is it possible that being too smart can actually be a problem when it comes to writing films? Why is conflict so important, and why do films fail when you don't have enough conflict? What is the state of the drama and the rom-com today? And why are Celine Song's films both about women caught between 2 perfect men with total patience who are 100% in love and dedicated to her even though she sucks???Please send us hate mail:EMAIL:
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