About Art

• 191. Kami Gahiga

  Kami Gahiga is a curator and art professional based between Kigali and London. Her work primarily focuses on art from the Global South and she has curated several exhibitions across Asia, Africa, the Middle East, and Europe.  She is an acting contributor to NKA Journal of Contemporary African Art. Kami is the Art Basel VIP Representative for Africa. Previously, she served as the Head of VIP & Gallery Relations at 1-54 Contemporary African Art Fair (London, Marrakech, New York, Hong Kong). She is a patron of the Delfina Foundation (London, UK), a board member of the Tyburn Foundation Board (Harare, Zimbabwe & Umbria, Italy) and is a Nominator for the Norval Sovereign Art Prize (Cape Town, South Africa). Gahiga is the Co-Founder of the Ghana Institute of Contemporary Art opening soon in Kigali, Rwanda!She and Zuckerman discuss Contemporary Africa Art, creating a new art space in Khagili, Rwanda, multigenerational collecting, African patronage, art and culture as the last frontier in Rwanda, creating interest, the experience of exposure, the idea of beginning, how to inspire, finding answers within, artists opening and operating their own spaces on the continent, and writing manifestos!

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• 190. Spencer Lewis

  Spencer Lewis, born 1979 in Hartford, Connecticut, lives and works in Los Angeles. He studied at the Rhode Island School of Design and the University of California, Los Angeles. Known for his gestural paintings on cardboard and jute, Lewis uses flashy bright and colorful notions executed through streaked lines, smears of paint and rough strokes that suggest the impulsive creative process underneath. With chaotic, almost infinite layers, Lewis's canvases conceal and simultaneously unveil a brushstroke, a gesture over the other, stories and moments culminating and accumulating on the painting's densest parts. Despite the apparent unpredictability of Lewis's compositions, they are based on a methodology and structure. Lewis is, in fact, interested in pictorial organization and image-making. Consistently concentrating towards the centre of the canvas, Lewis's brushstrokes frantically tell the different layers of the same narrative. In a podcast recorded live in his LA studio, he and Zuckerman discuss wanting positive things, paint as a fluid object, seeing and feeling distance between ideas, cities, being courageous, finding novelty, what art is really good at, timelessness, how artists want to be free, having an anxious attachment style, why people like complexity, what feels big, the space of color, how and why you need a studio, how to make great paintings, his phrase “for me to make a painting,” how art is still about beauty, remembering that making art will feel bad, and how gratitude works every time!

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• 189. Alia Al-Senussi

  Princess Alia Al-Senussi, PhD, is a leading member of the contemporary art world, with a special emphasis in her academic, personal and professional work on visual arts and culture in the Middle East, holding a doctorate degree in politics from SOAS which analyzed the nexus of soft power and cultural diplomacy in the context of networks of patronage, with a case study of Saudi Arabia.  Dr. Al-Senussi is a founding member of the Tate’s Acquisitions Committee for the Middle East and North Africa, the Board of 1:54 The African Art Fair, and the Middle East Circle of the Guggenheim. Amongst other positions, Dr. Al-Senussi is Chair of the K11 International Council and a member of the Tate Modern Advisory Council, the board of the Serpentine Future Contemporaries and the Strategic Advisory Council of Delfina Foundation. Dr. Al-Senussi’s work has encompassed a variety of other initiatives in the global art world, including being integral to the founding of Art Dubai, as well as the international advisory board of Edge of Arabia, the Advisory Board of Ikon Gallery, and the Advisory Group of Photo London.  Dr. Al-Senussi is Senior Advisor, International Outreach and the VIP Representative for the United Kingdom, as well as the Middle East and North Africa, for Art Basel and a Senior Advisor to the Saudi Ministry of Culture focusing on work with the Diriyah Biennale Foundation and will be lecturing this autumn at VCU Qatar.She and Zuckerman discuss cultural diplomacy and soft power, women and self-confidence, being more than one thing, recent travel and exhibitions, and where feels like home!

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• 188. Rodman Primack and Rudy Weissenberg

  Rodman Primack and Rudy Weissenberg are co-founders of US-AD100 design firm AGO Interiors and co-founders of Wallpaper 400 collectible design gallery AGO Projects. Their firm’s first book, Love How You Live: Adventures in Interior Design (2024), showcases their projects and the makers they’ve nurtured throughout the years. His practice emphasizes comfort, connection, and supporting local artisans.They and Zuckerman discuss art versus design versus craft, erasing hierarchies, Collectible design and how it is often misunderstood or overused, fairs, the first work of art they each acquired and the most recent, and as collectors what they wish they had been taught about collecting when they started out!

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• 187. Marilyn Minter

  Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter’s work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people’s gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

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