Francine Stock and Antonia Quirke co-present the final edition of The Film Programme. They discuss the future of cinema in the age of streaming, and hear from David Oyelowo, Matt Damon, Rebecca O'Brien and Sally Potter. They also reveal their favourite last scenes in the history of the movies.

With Antonia Quirke Oscar winning cinematographer and director Chris Menges takes us behind the scenes of Local Hero, The Mission and Kes, and reveals how he ended up in a Zanzibar prison with Michael Parkinson. Bait director Mark Jenkin records his last audio diary about the making of his horror movie, Enys Men, which was delayed by a year because of lockdown and was filmed during the pandemic. Listeners nominate their favourite final scenes and composer Neil Brand chooses his two favourite end pieces: Close Encounters Of The Third Kind and Cabaret. Sweetheart director Marley Morrison nominates her favourite final scene - the brief encounter in Andrew Haigh's debut Weekend. And thank you to all of you who nominated your favourite final scene. We didn't have time to mention them all on air, so here is the complete list: Algiers Animal House Being There Be Kind, Rewind Big Night Billy Elliot Bright Star Capernaum Casablanca Chinatown Cinderella Cold War Death In Venice Empire Of The Sun Ex Machina 400 Blows Genevieve Gloria Goodbye Mr Chips Ice Cold In Alex James And The Giant Peach Local Hero Los Silensios Michael Clayton Midnight Run Monsoon Wedding Nostalgia Of Gods And Men O Lucky Man ! On The Waterfront Orlando Pan's Labyrinth Pepe Le Moko Rocks Sideways Some Like It Hot Stalker System Crasher The Apartment The Battle Of Algiers The Deer Hunter The Leopard The Lives Of Others The Long Good Friday The Mermaid The Mission The Purple Rose Of Cairo The Seventh Seal The Silence Of The Lambs The Taking Of Pelham 1-2-3 The Third Man The Usual Suspects This Is Spinal Tap Tunes Of Glory Un Coeur En Hiver Withnail And I Witness

With Antonia Quirke Producer Emma Thomas reveals the conversation she had with partner Christopher Nolan that led to the making of Batman Begins, the film the changed the course of the superhero movie. Robert Shaw's son Ian takes us behind some of the scenes in Jaws that form the basis of his new play The Shark Is Broken, and explains why the famous Indianapolis speech had to be filmed twice In his last ever diary entry before the programme ends on September 30th, cinema owner Kevin Markwick explains why Bond movies have always been important to the survival of The Uckfield Picturehouse; this year more than ever before.

Mark Gatiss tells Antonia Quirke what it was like to work with his hero Anthony Hopkins on The Father, and how he persuaded him to reprise a famous scene from one of his classic films as a birthday present for fellow League Of Gentleman member Reece Shearsmith. Sean Barton reveals some secrets from the editing suite and how he made the audience gasp in a famous scene from Jagged Edge. Annette director Leos Carax explains why the star of his film about a two year old singing sensation is played by a puppet.

With Antonia Quirke You might think that fewer movies would be made during a pandemic, with continual testing and all the restrictions on social distancing. In fact, the British film industry has never been busier, and production designer Maria Djurkovic explains why that's the case. Script supervisor Angela Allen reveals all the unpaid jobs she did during her five decades in the film industry, from second unit director to editorial consultant to Katherine Hepburn's double in The African Queen. The directors of Shorta, Frederik Louis Hviid and Anders Olholm, tell Antonia why their thriller about a riot in a housing estate is very different from the typical Danish movie.