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Soundtracking with Edith Bowman

Soundtracking with Edith Bowman

Podcast Soundtracking with Edith Bowman
Podcast Soundtracking with Edith Bowman

Soundtracking with Edith Bowman


Episodios disponibles

5 de 266
  • Episode 264: Screenwriter Jack Thorne Discusses His Career
    This week's episode of Soundtracking sees us joined by a fantastically gifted and humble screenwriter, whose work includes Skins, This is England 86, 88 & 90, His Dark Materials, The Eddy and Enola Holmes,  Jack Thorne's latest offering is Help, a show which Edith absolutely loved and is available on All 4 now. Starring Jodie Comer and Stephen Graham, Help tells the story of Sarah, a care home worker who looks after Tony, a man beset by Alzheimer's far to young - as if there's ever a good time. It's an exceedingly powerful piece of storytelling - and a profound, moving and poignant reflection on some of the serious questions raised about British society's priorities in the wake of the pandemic.
  • Episode 263: Phyllida Lloyd On The Music Of Herself
    Our latest guest on Soundtracking is a producer and director who has worked extensively in theatre and film, most famously (in cinematic terms, at least) on Mamma Mia and The Iron Lady, which saw Meryl Streep win an Oscar for best actress. Phyllida Lloyd's latest offering is Herself. Written by and starring Clare Dunne, Herself tells the story of Sandra - a struggling single mum who decides to build her own home when the housing authority refuses to offer her one. In doing so, she rediscovers herself with the help of a kindly community, only for her abusive ex-husband to return to haunt her ... The film is scored by former guest on this show Natalie Holt, and we must say thank you to her for sending us her unreleased music from the film.
  • Episode 262: Lorne Balfe & Cate Shortland On The Music Of Black Widow
    We've been wanting to put out this latest episode of Soundtracking for some time now, featuring as it does two people who were instrumental in bringing us Black Widow. First up is our old pal Lorne Balfe, returning to the podcast for a third time to discuss his excellent score for the film. Then we'll bring you a chat Edith had with director Cate Shortland, who's put a very distinctive spin on the story of Natasha Romanov. If you haven't seen it, it is still showing in a few cinemas, but is also available on Disney+ to customers with Premier access, and coming out on blu-ray and DVD on 13th September. It's cracking fun, and both Lorne and Cate have brought plenty new to the MCU table.
  • Episode 261: Composer Emilie Levienaise-Farrouch On Her Score For Censor
    Our latest guest is a composer who has been on the podcast before, but is appearing by herself for the first time. Emilie Levienaise-Farrouch joined me, Carly Paradis and Amelia Warner for a very special Soundtracking Live at the BFI back in June 2019. In this episode, she's here to discuss her work on Censor, a smart, scary British horror which is out in cinemas now.  Directed by Prano Bailey-Bond and starring Niamh Algar, the film tells the story of Enid, a video nasty censor who links a particularly disturbing movie with the disappearance of her sister.  It is beautifully scored by Emilie - at once acknowledging the classic video nasties of the 70s and 80s while having its own distinctive voice. And the good news is, it's soon to be released on vinyl by our good pals at Invada Records. Hurrah!
  • Episode 260: Ferdinando Cito Filomarino On The Music Of Beckett & Ryuichi Sakamoto
    Our latest guest on Soundtracking is an Italian screenwriter and director who is absolutely charming company - and super-talented to boot. Ferdinando Cito Filomarino - or Ferdy for short! - has collaborated multiple times with former guest on this show, Luca Guadagnino, and also brought us a couple of feature films of his own. The latest of these is Beckett, which you can watch now on Netflix.  Starring John David Washington and Alicia Vikander, Beckett tells the story of a tourist who becomes the subject of a manhunt following an accident while holidaying in Greece. Excitingly, Ferdy's film is scored by none other than Ryuichi Sakamoto - who provides a typically layered soundscape. As always, we'll pepper plenty of his music throughout the conversation.

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