Wong Notes

• Blake Mills and Pino Palladino

  This go around, Cory Wong is joined by Pino Palladino and Blake Mills. Palladino, a Grammy-winning bassist, has collaborated with everyone from Erykah Badu and Keith Richards to John Mayer and the late, great D’Angelo. Mills’ resumé includes work with Bob Dylan, Fiona Apple, and Joni Mitchell. The duo has been around the block. Wong probes all corners of their creative processes, from the purpose of the music they make, to dealing with “unnatural” elements of the creative process, to layering parts on a record, to different approaches to melody. As you read, Palladino and Mills have worked with some of the greatest musicians and writers of the past century. They’ve got a lot of wisdom to share.Tune in to learn from some of the best in the biz.Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Blake Mills: https://www.blakemillsonline.com/Visit Pino Palladino: https://pinopalladinoblakemills.komi.io/Hit us up: [email protected] Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter: https://twitter.com/wongnotespodIG: https://www.instagram.com/wongnotespodProduced by Jason Shadrick and Cory WongPresented by DistroKid

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• The Fearless Flyers: Flight School is in Session!

  Welcome back for a special episode of Wong Notes! If you couldn’t make it to Cory’s Syncopated Summer Camp, this one’s for you: It features Wong and his Flyers bandmates—Nate Smith on drums, Joe Dart on bass, and Mark Lettieri on guitar—in a live masterclass recording from this summer, as they jam and break down an original composition.The group starts off with a rowdy rip through the tune (which, apparently, didn’t go so well when they played it in Italy) before slowing down its constituent parts and highlighting Lettieri’s thoughtful arrangements. Each member of the band takes a turn explaining their approach to jamming and improvising—and how to know when trouble is coming. (For Smith, it’s when one player tries to “force an agenda.”)The most important instrument for a successful jam and songwriting session? Your ears: It all comes back to listening. So listen in and learn with the best on this exclusive instalment.Recorded LIVE at the Syncopated Summer Camp presented by Dreamcatcher Events: http://dreamcatcher-events.comListen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongHit us up: [email protected] Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter: https://twitter.com/wongnotespodIG:

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• James Bay on Failed Solos, Onstage Adrenaline, and How to Hire a Band

  On this episode, James Bay joins Cory Wong from backstage at the 9:30 Club in Washington, D.C. (It takes Wong all of 10 seconds to recognize and name the green room.) Bay is still supporting his fourth full-length record, Changes All the Time, and Wong picked up on a different guitar approach on the new album. Bay walks him through how his playing matched the collection’s title.Bay also reveals the first solo he learned to play (or, rather, failed to learn to play; it’s a Bon Jovi hit), and how Jack White’s philosophy of struggle against his instrument has shaped Bay’s relationship to his own guitars. As bandleaders, Wong and Bay both have plenty of experience hiring players to join them in studio and on the road, so what do they look for when selecting colleagues? Tune in to find out.It wouldn’t be a chat with a Minnesotan guitarist without some Prince talk, so stick around to learn the appropriate etiquette for covering The Artist when touring his home state.Listen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit James Bay: https://www.jamesbay.comHit us up: [email protected] Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter: https://twitter.com/wongnotespodIG: https://www.instagram.com/wongnotespodProduced by Jason Shadrick and Cory WongPresented...

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• Goose's Rick Mitarotonda: Can Jambands Write Great Songs? Yes!

  Sound the alarms, tell your neighbors, hire a banner plane: Wong Notes is back. Cory Wong’s beloved podcast returns after a healthy break, and this exciting comeback episode features Wong in conversation with Goose’s Rick Mitarotonda.The Connecticut rock band’s guitarist and vocalist talks through the band’s origins and position in the jam-band and broader music scenes, and Wong and Mitarotonda debate an ancient, critical question: Can jam bands actually write great songs?The duo talk through their philosophies on recording, staying sharp on your instrument, all-star moments and standout players in the jam community, and feeling misunderstood as an artist. Like a good jam set, there are plenty of rich tangents, fascinating rabbit holes, and unexpected insights, so tune in and keep your ears open.Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Goose: https://www.goosetheband.com/Hit us up: [email protected] Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter: https://twitter.com/wongnotespodIG: https://www.instagram.com/wongnotespodProduced by Jason Shadrick and Cory WongPresented by DistroKid

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• Brad Paisley on Fish, Phish, and the Origins of the "Lost" Paisley Guitar

  Welcome back for a special season finale of Wong Notes! We’ve saved one of the best for last: Brad Paisley.The celebrated shredder and seasoned fisherman joins host Cory Wong for one of this season’s most interesting episodes. Paisley talks his earliest guitar-playing influences, which came from his grandfather’s love of country music, and his first days in Nashville—as a student at Belmont University, studying the music industry. The behind-the-curtain knowledge he picked up at Belmont made him a good match for industry suits trying to force bad contracts on him.Wong and Paisley swap notes on fishing and a mutual love of Phish—Paisley envies the jam-band scene, which he thinks has more leeway in live contexts than country. And with a new signature Fender Telecaster hitting the market in a rare blue paisley finish, Paisley discusses his iconic namesake pattern—which some might describe as “hippie puke”—and its surprising origin with Elvis’ guitarist James Burton.Plus, hear how Paisley assembled his rig over the years, the state of shredding on mainstream radio, when it might be good to hallucinogenic drugs in a set, and the only negative thing about country-music audiences.Get 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Brad Paisley: https://www.bradpaisley.com/Hit us up: [email protected] Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comIG: https://www.instagram.com/wongnotespodProduced by Jason Shadrick and Cory WongAdditional Editing by Shawn PersingerPresented by DistroKid

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