Laughingmonkeymusic

Evermore is a Swedish power metal trio known for blending melodic precision with a darker, more aggressive tonal palette than many of their genre peers. Formed in the late 2010s, the band quickly established itself with tightly structured songwriting, soaring vocal lines, and a dual focus on speed-driven passages and mid-tempo, groove-heavy weight. Their sound draws from classic European power metal traditions while incorporating modern production clarity and a slightly grittier rhythmic attack, giving their material both anthem-ready hooks and a heavier edge.
Their latest full-length, Mournbraid, further refines that identity. The record emphasizes cinematic atmosphere, layered guitar harmonies, and dynamic vocal arrangements while maintaining sharp, riff-centered foundations. Lyrically and thematically, the album leans into epic and introspective territory, pairing dark fantasy aesthetics with resilience-driven motifs. Rather than chasing excessive technicality, Evermore prioritizes memorable choruses, structural discipline, and controlled intensity—positioning Mournbraid as a confident statement within contemporary power metal.

Support this podcast at — https://redcircle.com/laughingmonkeymusic/exclusive-content

Norman L Skinner III is an American heavy metal vocalist best known for his powerful range, clean high-register delivery, and disciplined traditional metal technique. He built his reputation in the U.S. underground metal scene through years of consistent studio and live work, developing a style rooted in classic 1980s heavy metal rather than extreme vocal approaches. His singing emphasizes pitch control, sustained projection, and clarity, making him particularly suited for technically demanding material.

Skinner first gained broader recognition as the longtime frontman of Imagika, a California-based band blending thrash aggression with power metal structure. During his tenure, he appeared on multiple albums including Devils on Both Sides (2005), Portrait of a Hanged Man (2010), and Feast for the Hated (2013). His performances on these releases highlighted his ability to balance melodic phrasing with speed-driven riffing, helping establish Imagika as a respected name in the American power/thrash circuit.

Beyond Imagika, Skinner has contributed to additional heavy metal projects, including work associated with members of Attacker and other traditional metal collaborations. Across these efforts, his approach has remained consistent: high-energy delivery without reliance on growls or extreme vocal distortion. His technique reflects classic heavy metal fundamentals, positioning him within the lineage of traditional and power metal vocalists rather than modern extreme subgenres.

He was later announced as the new lead vocalist for Forbidden, one of the defining acts of the Bay Area thrash movement. Originally fronted by Russ Anderson, the band’s catalog demands precision and range—qualities that align with Skinner’s established strengths. His addition marks a new chapter for Forbidden while maintaining continuity with the band’s technically driven thrash identity.

Support this podcast at — https://redcircle.com/laughingmonkeymusic/exclusive-content

The best of Eric Martin compilation from 6 years of interviews and live music!

Support this podcast at — https://redcircle.com/laughingmonkeymusic/exclusive-content

Frayle is a Cleveland, Ohio–based doom/occult rock band known for blending crushing low-tuned riffs with ethereal, haunting vocals. Their sound sits at the intersection of doom metal, post-metal, and dark alternative rock—often described as hypnotic, cinematic, and emotionally immersive.

Core Members
• Gwyn Strang – Vocals
• Sean Bilovecky – Guitar

The band operates as a tight creative partnership, with Strang’s layered, almost choral vocal approach contrasting against Bilovecky’s slow, detuned, fuzz-laden guitar textures. Live, they expand with additional musicians to deliver a heavier, more enveloping wall of sound.

Support this podcast at — https://redcircle.com/laughingmonkeymusic/exclusive-content

In this episode, Eric Martin speaks directly about hearing loss and tinnitus — issues that have become part of life after decades in loud environments. He does not dramatize it. He explains it plainly.
He acknowledges that years of touring, stage volume, and studio work have taken a toll. The tinnitus is persistent. Some hearing loss is measurable. It is not reversible. What has changed is how he manages it. In-ear monitors, volume control, and pacing are now part of the routine. Protecting what remains is a priority.
Martin reflects on sustaining a career rather than chasing past expectations. There is no self-pity in the conversation. The tone is practical.
Regarding new music, he addresses the question of a solo album. There is no formal announcement. He confirms the idea has been discussed over the years. Timing, creative direction, and commitment matter. He is open to it, but not forcing it.
The episode centers on sustainability, realism, and continuing forward with intention.

Support this podcast at — https://redcircle.com/laughingmonkeymusic/exclusive-content