Performance Anxiety

• Shane Alexander

  Today’s guest was a gift and I mean that in a variety of ways. Of course, his music is a gift. This conversation was a gift. But even connecting with him was a gift for which I have to thank Jeremy Toback. Jeremy suggested I listen to Shane’s music. When I did he connected us. Unfortunately, I put the interview date in the wrong month in my calendar and we rescheduled for the next day. That meant a crash course in all things Shane Alexander.  Shane talks about how his less than ideal childhood has been a driving force in his art and how that seems to be the case for a lot of creative people. He also tells me how important late 80’s metal was and being his own harshest critic. Shane also discusses early bands and the unusual way one of them gave him the seed money to start his solo career. It wasn’t too long after that when he decided he had to be in control of his own musical destiny and the freedoms and problems of being self managed. He couldn’t stress enough how important it is to gain an understanding of the music business. Shane’s latest album, Forever Songs, hasn’t been out that long and he’s already finished writing his next. Go to shanealexandermusic.com to check out and buy his music. Follow him @shanealexandermusic on socials. Follow us @PerformanceAnx. Get merch at performanceanx.threadless.com or just send money to ko-fi.com/performanceanxiety. I hope you enjoy this chat with Shane Alexander on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• The Majesty Of Rock: A Spinal Tap Tribute For Teen Cancer America Pt. 1

  Today is the first of a few special episodes. We’re talking Spinal Tap with Scott Reeder of Kyuss, Kellii Scott of Failure, Dizzy Reed of Guns N Roses, and Jason Achilles, who’s put microphones on Mars with NASA’s JPL. What brings all of these amazing people together? A charity album for Teen Cancer America that I started three and a half years ago. It’s coming out on Sept 16th and the only way to get over 30 tracks of Spinal Tap covers is to follow the show and Teen Cancer America’s social media.  In this episode we talk about what the movie means to each of us, favorite scenes, favorite songs, and how these guys chose the song they covered. They also discuss some real life Spinal Tap moments in their own careers, the key to singing comedic songs, and pro tips on buying the best rubber chickens.Keep following here and Teen Cancer America for covers by these amazing musicians, Robyn Hitchcock, Crippled Black Phoenix, Alain Johannes, members of Soul Asylum, Tool, Foo Fighters, Mastodon, and so many more, as well as a very special song performed by cancer survivors who’ve been helped by  TCA. Follow us  @PerformanceAnx and @teencancereamerica or go to teencanceramerica.org to learn more. Here’s Scott Reeder, Kellii Scott, Dizzy Reed, and Jason Achilles on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• doubleVee

  In an unusual turn of events here, this week I have doubleVee on the podcast…the entire band! Welcome both Allan and Barb Vest to the podcast. They are a duo with a very interesting past and a wonderful new EP.  Allan was a musical late bloomer while his wife Barb has it in her blood, literally. Her grandmother was a composer. That led to a really beautiful project, later on, for Barb and Allan. And Barb’s career started in radio, not on the radio. In a bizarre set of coincidences, the two of them met prior to being formally introduced, in a few unconventional ways while Allan was in his previous band, Starlight Mints.  But once they got together, the musical magic started. They have such a unique sound. That’s part of what has helped them master the art of sync. Their music has been in movies including Barnyard, Van Wilder 2: The Rise of Taj, Smiley Face, and The Art of Getting By. They have also made the cut for shows like Malcolm In The Middle, One Tree Hill, Californication, Gossip Girl, and Tim Burton’s Wednesday. They have recently released their latest (and possibly last) EP, Periscope At Midnight and it is possibly their best set of songs to date. The six song release is pure doubleVee. The sound is unmistakable. And submarines play a crucial part on the EP and in their discography. We debate whether or not you can do a cover of one of your own songs. They also reveal a few opportunities that didn’t work out. Go grab the album, buy it, stream it, get the limited run CD at doublevee.net! Follow them @doublevee_band. Follow us @PerformanceAnx. Grab our merch at performanceanx.threadless.com. Send money to ko-fi.com/performanceanxiety. And listen to the amazing things Barb and Allan Vest have done here on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Chris Stamey (The dB's, Big Star's Third)

  Today’s guest is Chris Stamey. He’s done A LOT! He grew up in North Carolina, playing bass with Mitch Easter and Peter Holsapple. They played in churches and coffee shops because those were the only places at the time that encouraged original music. Around this time he began studying music at the University of North Carolina. He transferred to NYU but because of some weird scheduling issues, his music studies translated to a degree in philosophy. But his time there also introduced him to Alex Chilton and Richard Lloyd. Richard played a huge part in the formation of one of Chris’ early bands, The dB’s. We barely scratch the surface of his career here.  Chris is very candid about his time in The dB’s as well as his latest album, Anything Is Possible. It took shape in a unique way and there are some unusual musical ideas there; like combining Humphrey Bogart with Roy Orbison. That’ll make more sense once you listen to the episode. The album is a journey through Chris’ evolution of musical loves and influences. Check it out on streaming platforms. Buy it wherever you can. Check out chrisstamey.com for more info, social media links, and ways to buy the album. Follow the show @PerformanceAnx on socials. Our merch, including a Spinal Tap inspired design, is at performanceanx.threadless.com or just send money to ko-fi.com/performanceanxiety. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Jon Muq

  Today’s guest makes me feel blessed because his story illustrates just how fortunate I am. Meet Jon Muq. He’s a singer/songwriter from Austin TX via Uganda. Growing up, music was not a presence in his life. But sound was. He grew up without electricity so music was not a priority. But once he discovered music, it became an obsession; particularly the song We Are The World. Jon learned to play guitar on a borrowed acoustic. His first gig was playing in a hotel for food. The first song he ever wrote was for a friend in need. He began posting his music to social media which landed him a gig on Norwegian Cruise Lines. That gig was a huge culture shock. But once his contract was over, he was stuck in the Bahamas. He made his way to Austin and met people who helped him. But because of his visa, he wasn’t allowed to perform for three years. Jon tells me how Dan Auerbach of The Black Keys found the videos he was posting and reached out to him. After spending time getting to know each other, they went into the studio. It took a grand total of four days to make Jon’s debut, Flying Away. We talk about Jon’s approach to writing, his next album, and his theory on perimeters and burritos. Follow Jon on social media @jonmuq. Check out jonmuq.com for more information. Follow us @PerformanceAnx. Grab merch at performanceanx.threadless.com. Send money through ko-fi.com/performanceanxiety. Now enjoy Jon Muq’s story On Performance Anxiety on the Pantheon Podcast Network. It’s pretty amazing. Learn more about your ad choices. Visit megaphone.fm/adchoices

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